{"id":13576,"date":"2020-03-21T17:45:28","date_gmt":"2020-03-21T16:45:28","guid":{"rendered":"https:\/\/www.booksonthemove.fr\/produit\/critique-dart-n53-automne-hiver-2019\/"},"modified":"2021-08-02T16:36:30","modified_gmt":"2021-08-02T14:36:30","slug":"critique-dart-n53-automne-hiver-2019","status":"publish","type":"product","link":"https:\/\/www.booksonthemove.fr\/en\/produit\/critique-dart-n53-automne-hiver-2019\/","title":{"rendered":"Critique d\u2019art n\u00b053 \u2013 automne\/hiver 2019"},"content":{"rendered":"

Les expositions s\u2019accompagnent d\u2019un ensemble qui les pr\u00e9sente, les repr\u00e9sente et ainsi les rend pr\u00e9sentes. Cet ensemble compos\u00e9 de formes connexes, de paratextes \u2013 pour reprendre l\u2019expression de G\u00e9rard Genette \u2013, ou de \u00ab proth\u00e8ses d\u2019expositions \u00bb selon la provocation de Joseph Grigely, associe les noms des artistes, du ou des curateurs, le titre de l\u2019exposition, les textes, les cartels, le guide audio, toute r\u00e9alit\u00e9 augment\u00e9e, les supports \u00e9dit\u00e9s et bien entendu les catalogues. Joseph Grigely questionne ainsi la r\u00e9alit\u00e9 de l\u2019exposition : \u00ab O\u00f9 commence et finit l\u2019exposition ? Une exposition n\u2019est-elle que la mat\u00e9rialisation d\u2019\u0153uvres d\u2019art sp\u00e9cifiques, ou est-elle aussi \u2013 et si oui, dans quelle mesure \u2013 les conventions diverses et vari\u00e9es qui entrent dans la r\u00e9alisation des expositions, incluant les communiqu\u00e9s de presse, les cartons d\u2019invitation, les *checklists*, les catalogues, et les contenus digitaux ? \u00bb. Joseph Grigely pr\u00e9f\u00e8re ainsi parler de \u00ab\u00a0proth\u00e8ses\u00a0\u00bb d\u2019expositions \u00ab pour d\u00e9crire l\u2019ensemble de ces conventions, particuli\u00e8rement (mais pas exclusivement) en regard des pratiques d\u2019expositions. \u00bb [\u2026]<\/p>\n

\n

Articles<\/h3>\n
Nouvelles de l\u2019outre-terre : r\u00e9cits depuis les profondeurs du monde<\/span>
\nNews From Beyond The Earth: Tales From The Depths of The World <\/span>
\nde\/byB\u00e9n\u00e9dicte Ramade<\/div>\n
<\/div>\n
Friction(s) dans la repr\u00e9sentation : comment penser les artistes face aux \u00e9v\u00e9nements ?<\/span>
\nFriction(s) in Representation: How Are We to Think about Artists in the Face of Events<\/span>
\nde\/by Paula Barreiro L\u00f3pez<\/div>\n
<\/div>\n
Mutation du paysage artistique africain \u00e0 la Biennale de Venise<\/span>
\nThe Landscape of African Art: Transformations at the Venice Biennale <\/span>
\nde\/by Dagara Dakin<\/div>\n
<\/div>\n
Noir sur blanc : d\u00e9coloniser le regard<\/span>
\nBlack on White: Decolonising the Gaze<\/span>
\nde\/by J\u00e9r\u00f4me Duwa<\/div>\n
<\/div>\n
Le Livre peut-il encore tuer l\u2019\u00e9difice ?<\/span>
\nCan The Book Still Kill The Building?<\/span>
\nde\/by Thibaut de Ruyter<\/div>\n
<\/div>\n
Encyclop\u00e9die de silences : pr\u00e9histoire et modernit\u00e9 <\/span>
\nEncyclopaedia of Silences: Prehistory and Modernity <\/span>
\nde\/by Riccardo Venturi<\/div>\n<\/div>\n
\n

Portrait d’auteur<\/h3>\n
Beatriz Colomina<\/span>
\nVal\u00e9ry Didelon<\/div>\n<\/div>\n
\n

Portrait d’artiste<\/h3>\n
Santu Mofokeng<\/span>
\nKatja Gentric<\/div>\n<\/div>\n
\n

Traduction<\/h3>\n
Institutions artistiques carib\u00e9ennes, critique et sph\u00e8re publique<\/span>
\nTraduction extraite de : Beyond Representation in Contemporary Caribbean Art: Space, Politics, and the Public Sphere<\/span>
\nPhoebe Clarke
\nIntroduit par\/Introduced by : Sylvie Mokhtari<\/div>\n<\/div>\n
\n

Essai<\/h3>\n
Plasticien du bled. De Sadek Rahim au hirak, l\u2019art contemporain alg\u00e9rien en qu\u00eate d\u2019autonomie<\/span>
\nVisual Artists from the Bled. From Sadek Rahim to the Hirak, Contemporary Algerian Art\u2019s Quest for Autonomy<\/span>
\nFlorian Gait\u00e9
\nIntroduit par\/introduced by: Elitza Dulguerova<\/div>\n<\/div>\n
\n

L’Histoire revisit\u00e9e<\/h3>\n
Situation de l\u2019Art brut<\/span>
\nThe Art Brut Situation<\/span>
\nde\/by Marc D\u00e9cimo<\/div>\n
<\/div>\n
Dubuffet, l\u2019Art brut et le \u00ab primitivisme \u00bb<\/span>
\nDubuffet, Art Brut and “Primitivism”<\/span>
\nde\/by Kent Mitchell Minturn<\/div>\n<\/div>\n
\n

Archives<\/h3>\n
\u00ab European-art.net \u00bb, relais international et communaut\u00e9 solidaire<\/span>
\n\u201cEuropean-art.net\u201d, an International Staging-post and a United Community<\/span>
\nde\/by Jens Emil Sennewald<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Directeur de la publication: Mathieu Copeland
\nEditeur: Archives de la critique<\/span> d\u2019art, Universit\u00e9 de Rennes (2019)<\/p>\n

Broch\u00e9: 220 pages
\nLangue: Fran\u00e7ais\/Anglais
\nISSN:\u00a01246 8258<\/p>\n","protected":false},"featured_media":13575,"template":"","meta":[],"product_brand":[],"product_cat":[135,162,211],"product_tag":[],"class_list":["post-13576","product","type-product","status-publish","has-post-thumbnail","product_cat-english-en","product_cat-french-en","product_cat-magazines-en","first","instock","taxable","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"\nCritique d\u2019art n\u00b053 \u2013 automne\/hiver 2019 - Books on the Move<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.booksonthemove.fr\/en\/produit\/critique-dart-n53-automne-hiver-2019\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Critique d\u2019art n\u00b053 \u2013 automne\/hiver 2019 - Books on the Move\" \/>\n<meta property=\"og:description\" content=\"Directeur de la publication: Mathieu Copeland Editeur: Archives de la critique d\u2019art, Universit\u00e9 de Rennes (2019) Broch\u00e9: 220 pages Langue: Fran\u00e7ais\/Anglais ISSN:\u00a01246 8258\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.booksonthemove.fr\/en\/produit\/critique-dart-n53-automne-hiver-2019\/\" \/>\n<meta property=\"og:site_name\" content=\"Books on the Move\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Librairiebooksonthemove\/\" \/>\n<meta property=\"article:modified_time\" content=\"2021-08-02T14:36:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.booksonthemove.fr\/media\/bom_2008.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"564\" \/>\n\t<meta property=\"og:image:height\" content=\"855\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.booksonthemove.fr\\\/en\\\/produit\\\/critique-dart-n53-automne-hiver-2019\\\/\",\"url\":\"https:\\\/\\\/www.booksonthemove.fr\\\/en\\\/produit\\\/critique-dart-n53-automne-hiver-2019\\\/\",\"name\":\"Critique d\u2019art n\u00b053 \u2013 automne\\\/hiver 2019 - 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