{"id":15657,"date":"2020-04-20T17:03:43","date_gmt":"2020-04-20T15:03:43","guid":{"rendered":"https:\/\/www.booksonthemove.fr\/produit\/pina-bausch-backstage\/"},"modified":"2025-03-16T13:37:15","modified_gmt":"2025-03-16T12:37:15","slug":"pina-bausch-backstage","status":"publish","type":"product","link":"https:\/\/www.booksonthemove.fr\/en\/produit\/pina-bausch-backstage\/","title":{"rendered":"Pina Bausch &#8211; backstage"},"content":{"rendered":"<p class=\"bodytext\">Als Pina Bausch zur Spielzeit 1973\/74 die Tanzabteilung der Wuppertaler B\u00fchnen \u00fcbernahm, wurde das einstige Ballett auf ihren Wunsch hin in Tanztheater Wuppertal umbenannt: Ein deutliches Signal, mit dem die damals 33j\u00e4hrige Choreografin von Anfang an ihre Eigenst\u00e4ndigkeit behauptete. Ein Signal zum Ausbruch aus Gewohntem und Aufbruch zu neuen Wegen. Ein Zeuge dieser Anfangsjahre war der Filmemacher und Fotograf KH.W. Steckelings. Pina Bausch hatte ihn eingeladen, ihre Kompanie bei den Proben und in den Pausen mit der Kamera zu begleiten. So entstanden in den Jahren 1974 und 1975 rund 1400 Bilder. Die meisten wurden nie abgezogen und gerieten \u00fcber die Jahre in Vergessenheit.<\/p>\n<p class=\"bodytext\">In dem Bildband \u201ePina Bausch backstage\u201c sind erstmals 150 dieser Fotografien versammelt. Aus heutiger Sicht sind sie ein kostbarer Schatz \u2013 gibt es doch kaum Bilder aus Pina Bauschs fr\u00fchen Jahren mit dem Tanztheater Wuppertal. Bis heute machen sie die Aufbruchstimmung dieser fr\u00fchen Jahre sp\u00fcrbar; lassen die von Konzentration, Spannung, Vertrauen, Mut zum Experiment und geduldigem Warten gepr\u00e4gte Atmosph\u00e4re der Probenarbeit erkennen, die in gr\u00f6\u00dftm\u00f6glichem Kontrast zum engen Korsett des klassischen Balletttrainings stand. Dabei nahmen die T\u00e4nzerinnen und T\u00e4nzer die Anwesenheit des Fotografen augenscheinlich kaum wahr. Nichts an seinen Aufnahmen wirkt gestellt oder gek\u00fcnstelt. Beim aufmerksamen Betrachten f\u00fchlt man sich direkt hineinversetzt in den k\u00fcnstlerischen Prozess jener Anfangsjahre, als Pina Bausch und ihre Gruppe neue t\u00e4nzerische Ausdrucksformen entwickelten.<\/p>\n<p class=\"bodytext\">Der Fotograf KH.W. Steckelings arbeitete stets im vollen Format \u2013 geschickte Ausschnittvergr\u00f6\u00dferungen oder nachtr\u00e4gliche Bearbeitungen gibt es bei ihm nicht. Es hie\u00df, den entscheidenden Moment zu erhaschen \u2013 und der Augenblick gilt. Der schwarze Negativrand, der bei der Vergr\u00f6\u00dferung der Schwarz-Wei\u00df-Aufnahmen stehen blieb, bezeugt und betont diese Haltung. Steckelings ebenso intime wie ungek\u00fcnstelte Aufnahmen sind Bildzeugnisse, welche an die verschwundene Welt des Ballettsaals im Wuppertaler Opernhaus ebenso erinnern wie an die T\u00e4nzerinnen und T\u00e4nzer der ersten Stunde der jungen Kompanie und an die St\u00fccke der fr\u00fchen Jahre: Fritz, Wind von West, Ich bring Dich um die Ecke, Adagio \u2013 F\u00fcnf Lieder f\u00fcr Gustav Mahler, an den Werkstattabend Fliegenflittchen und die Gluck-Oper Orpheus und Euridyke.<\/p>\n<p class=\"bodytext\">Und nat\u00fcrlich an die junge Pina Bausch, die mit Entschlossenheit und sanfter Beharrlichkeit aus dem einstigen Wuppertaler Opernballett das einzigartige Tanztheater Wuppertal machte.<\/p>\n<p class=\"bodytext\">Fourty years ago \u2013 at the outset of the 1973\/74 season \u2013 Pina Bausch started her tenure as head of ballet at Wuppertal theatre. Film maker and photographer KH. W. Steckelings was a witness from the very beginnings. Pina Bausch had invited him to accompany her dancers during rehearsals and breaks with his camera. A task Steckelings performed in a both inconspiuous and emphatic manner. Obviously, the dancers rarely took notice: none of his photographs display a quality of being posed or mannered. They convey an illusion of being part of the artistic process in these early years when Pina Bausch an her company developed new forms of expression in dance.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>Hg.\/Editor:<\/strong> Stefan Koldehoff und der Pina Bausch Foundation<br \/>\n<strong>Verlag\/Publisher:<\/strong> Nimbus. Kunst &amp; B\u00fccher (2014)<\/p>\n<p><strong>Gebundene Ausgabe\/Hardcover:<\/strong> 184 Seiten<br \/>\n<strong>Sprache\/Language:<\/strong> Deutsch\/English<br \/>\n<strong>ISBN13:<\/strong> 978-3-907142-99-8<\/p>\n","protected":false},"featured_media":15656,"template":"","meta":[],"product_brand":[],"product_cat":[167,135,296,205],"product_tag":[],"class_list":{"0":"post-15657","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-german-en","7":"product_cat-english-en","8":"product_cat-nice-big-books","9":"product_cat-photography-en","11":"first","12":"outofstock","13":"taxable","14":"shipping-taxable","15":"purchasable","16":"product-type-simple"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pina Bausch - backstage - Books on the Move<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.booksonthemove.fr\/produit\/pina-bausch-backstage\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pina Bausch - backstage - Books on the Move\" \/>\n<meta property=\"og:description\" content=\"Hg.\/Editor: Stefan Koldehoff und der Pina Bausch Foundation Verlag\/Publisher: Nimbus. 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