{"id":2895,"date":"2016-08-05T18:01:15","date_gmt":"2016-08-05T16:01:15","guid":{"rendered":"https:\/\/www.booksonthemove.fr\/en\/product\/figures-de-l%c2%92attention-%c2%96-cinq-essais-sur-la-spatialite-en-danse\/"},"modified":"2020-12-23T20:13:53","modified_gmt":"2020-12-23T19:13:53","slug":"figures-de-l%c2%92attention-%c2%96-cinq-essais-sur-la-spatialite-en-danse","status":"publish","type":"product","link":"https:\/\/www.booksonthemove.fr\/en\/produit\/figures-de-l%c2%92attention-%c2%96-cinq-essais-sur-la-spatialite-en-danse\/","title":{"rendered":"Figures de l’attention – Cinq essais sur la spatialit\u00e9 en danse"},"content":{"rendered":"

Une analyse de l’exp\u00e9rience de la spatialit\u00e9 en danse, au fondement de la relation que l’\u009c\u0153uvre chor\u00e9graphique instaure avec son public, \u00e0 travers cinq pi\u00e8ces de Xavier Le Roy, Yvonne Rainer, Olga Mesa, Boris Charmatz et Merce Cunningham.<\/p>\n

Faire l’exp\u00e9rience d’une \u009c\u0153uvre chor\u00e9graphique conduit le public \u00e0 \u00e9prouver cette sorte de tension propre \u00e0 la relation esth\u00e9tique, au cours de laquelle le spectateur s’invente comme sujet sensible. Ce livre propose de consid\u00e9rer comment l’\u009c\u0153uvre oriente et favorise un trajet perceptif que l’examen de la spatialit\u00e9 en danse met en \u00e9vidence. La spatialit\u00e9 contribue \u00e0 organiser un r\u00e9gime de visibilit\u00e9 et d’attention: elle semble jouer un r\u00f4le d\u00e9terminant dans la fa\u00e7on dont l’\u009c\u0153uvre sollicite le spectateur, en d\u00e9signant o\u00f9 regarder et comment percevoir.<\/p>\n

Cette hypoth\u00e8se est mise \u00e0 l’\u00e9preuve des analyses successives de cinq pi\u00e8ces : Self-Unfinished de Xavier Le Roy (1998), Trio A d’Yvonne Rainer (1966), Suite au dernier mot : Au fond tout est en surface d’Olga Mesa (2003), Con forts fleuve de Boris Charmatz (1999) et enfin Variations V de Merce Cunningham (1965). L’attention \u00e0 l’\u009cuvre chor\u00e9graphique est ainsi au c\u0153\u009cur de la r\u00e9flexion: comment chaque danse, \u00e0 l’int\u00e9rieur du dispositif de perception constitu\u00e9 par la sc\u00e8ne occidentale, sollicite-t-elle le spectateur pour conduire son attention vers le surgissement d’une figure dansante?<\/p>\n","protected":false},"excerpt":{"rendered":"

Auteur: <\/b> Julie Perrin
\nEditeur: <\/b>les presses du r\u00e9el (2013)<\/p>\n

Broch\u00e9:<\/strong> 324 pages
\nLangue: <\/b>Fran\u00e7ais
\nISBN13:<\/strong> 978-2-84066-567-9<\/p>\n","protected":false},"featured_media":1228,"template":"","meta":[],"product_brand":[],"product_cat":[197,240,161,149,146,162,228],"product_tag":[],"class_list":["post-2895","product","type-product","status-publish","has-post-thumbnail","product_cat-analysis-of-works-en","product_cat-choreography-en","product_cat-dance-criticism-en","product_cat-contemporary-dance-en","product_cat-theoretical-texts-en","product_cat-french-en","product_cat-spectatorship-en","first","outofstock","purchasable","product-type-simple"],"yoast_head":"\nFigures de l'attention - Cinq essais sur la spatialit\u00e9 en danse - Books on the Move<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.booksonthemove.fr\/en\/produit\/figures-de-l\u0092attention-\u0096-cinq-essais-sur-la-spatialite-en-danse\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Figures de l'attention - 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