{"id":29327,"date":"2021-02-09T22:53:36","date_gmt":"2021-02-09T21:53:36","guid":{"rendered":"https:\/\/www.booksonthemove.fr\/produit\/critique-dart-n55-automne-hiver-2020\/"},"modified":"2021-05-01T14:32:19","modified_gmt":"2021-05-01T12:32:19","slug":"critique-dart-n55-automne-hiver-2020","status":"publish","type":"product","link":"https:\/\/www.booksonthemove.fr\/en\/produit\/critique-dart-n55-automne-hiver-2020\/","title":{"rendered":"Critique d\u2019art n\u00b055 \u2013 automne\/hiver 2020"},"content":{"rendered":"
\u00ab The Global Now \u00bb : apoth\u00e9ose et d\u00e9clin<\/span>
\n\u201cThe Global Now\u201d: Apotheosis and Decline<\/span>
\nMaria Stavrinaki
\nSerions-nous en train de nous d\u00e9gager d\u00e9j\u00e0 de l\u2019\u00e9treinte du \u00ab global \u00bb ? A l\u2019\u00e2ge de l\u2019Anthropoc\u00e8ne, o\u00f9 les humains se donnent en temps r\u00e9el le triple r\u00f4le d\u2019agents, de t\u00e9moins et d\u2019historiens des interactions du climat, du vivant et de la g\u00e9ologie, la cat\u00e9gorie \u00e9pist\u00e9mologique trop humaine du \u00ab global \u00bb conna\u00eet \u00e0 la fois son apoth\u00e9ose et le d\u00e9but de son d\u00e9clin au profit du \u00ab plan\u00e9taire \u00bb. Certes, les deux cat\u00e9gories sont loin d\u2019\u00eatre incompatibles, et ce qu\u2019Anna Tsing a appel\u00e9 avec malice \u00ab le charisme du global \u00bb exerce son efficace plus que jamais dans les sciences humaines, ainsi qu\u2019en t\u00e9moigne la reconnaissance dont jouit cette notion dans les institutions occidentales et quelques publications passionnantes chroniqu\u00e9es dans ce num\u00e9ro de Critique d\u2019art<\/em>. Mais ce \u00ab charisme \u00bb est infl\u00e9chi, voire fissur\u00e9 par des nouveaux questionnements qui travaillent actuellement savoirs, discours et pratiques artistiques et, bien s\u00fbr, la parole politique. Gayatri Chakravorty Spivak, figure pionni\u00e8re de la pens\u00e9e f\u00e9ministe postcoloniale, fait ainsi la part entre le \u00ab globe \u00bb, qui se situe \u00ab dans nos ordinateurs \u00bb et ne peut, en tant que tel, \u00eatre \u00ab v\u00e9cu \u00bb, et la \u00ab plan\u00e8te \u00bb, alt\u00e9rit\u00e9 radicale vivante et habitable, mais seulement \u00e0 cr\u00e9dit, susceptible d\u2019englober \u00ab une taxinomie in\u00e9puisable de noms d\u2019alt\u00e9rit\u00e9s humaines \u00bb[3]. \u00ab Le global r\u00e9v\u00e8le aux humains le domaine du plan\u00e9taire \u00bb, dialectise \u00e0 son tour Dipesh Chakrabarty [\u2026]\/<\/p>\n

Are we in the process of already freeing ourselves from the grip of the \u201cglobal\u201d? In the Anthropocene age, when human beings are casting themselves, in real time, in the triple role of agents, witnesses and historians of the interactions of climate, living world and geology, the epistemological \u201ctoo human\u201d category of the \u201cglobal\u201d is experiencing both its apotheosis and the beginning of its decline, in favour of the \u201cplanetary\u201d. To be sure, the two categories are far from being incompatible, and what Anna Tsing has mischievously called \u201cthe charisma of the global\u201d is brandishing its effectiveness more than ever in the human sciences, as is illustrated by the recognition this notion is enjoying in western institutions and in one or two extremely interesting publications reported in this issue of Critique d\u2019art<\/em>. But this \u201ccharisma\u201d is qualified, not to say flawed, by new questions which are currently exercising knowledge, discourse and art praxis and, needless to add, the political word. Gayatri Chakravorty Spivak, a pioneering figure of post-colonial feminist thinking, makes a distinction between the \u201cglobe\u201d, which is situated \u201cin our computers\u201d and cannot, as such, be \u201cexperienced\u201d, and the \u201cplanet\u201d, a living and inhabitable radical otherness, but only on credit, capable of encompassing \u201can inexhaustible taxonomy of names of forms of human otherness\u201d. \u201cThe global reveals to humans the sphere of the planetary\u201d, explains, in his turn, Dipesh Chakrabarty [\u2026]<\/p>\n<\/div>\n

\n

Sommaire<\/h2>\n
\n

Articles<\/h3>\n
Un Langage cosmico-rythmique : l’art folklorique comme ressoude globale<\/span><\/div>\n
A rhythmic-Cosmic Language : Folk Art as a Global Resource<\/span><\/div>\n
\n

Marina Dmitrieva<\/span><\/p>\n

 <\/p>\n

Habeas Corpus : un corpus d\u2019\u0153uvres venues de l\u2019Am\u00e9rique incarc\u00e9r\u00e9e<\/p>\n<\/div>\n

Habeas Corpus: a Body of Art from the Incarcerated America<\/span>
\nAnna Iatsenko<\/div>\n
L\u2019Art radio, entre autonomie et hybridation <\/span>
\nRadio art, between autonomy and hybridation <\/span>
\nDavid Christoffel<\/div>\n
Dessin et environnements scientifiques, de Ruskin \u00e0 Rover<\/span>
\nDrawing and Scientific Environments, from Ruskin to Rover <\/span>
\nAnne-Lyse Renon<\/div>\n
Anselm Franke, \u00e0 propos de “Kanon-Fragen”<\/span>
\nInterview<\/span>
\nMaria Stavrinaki<\/div>\n<\/div>\n
\n

Portrait d’auteur<\/h3>\n

Brook Andrew\/Menene Gras Balaguer<\/p>\n<\/div>\n

\n

Portrait d’artiste<\/h3>\n
Hubert Duprat\/<\/span>Jean-Marc Huitorel<\/div>\n<\/div>\n
\n

Traduction<\/h3>\n
Le Dilemme d\u00e9cisionnel<\/span>
\nTraduction extraite de : Diana Taylor, “\u00a1Presente! The Politics of Presence”, Durham : Duke University Press, 2020, p. 226-244<\/span>
\nPhoebe Hadjimarkos Clarke –\u00a0Introduit par \/ Introduced by : David Zerbib<\/div>\n<\/div>\n
\n

Essai<\/h3>\n
La Campagne, le futur : art et ruralit\u00e9 au temps des crises<\/span>
\nThe Countryside, the Future: Art and Rurality in Times of Crisis<\/span>
\nCamille Aza\u00efs
\nIntroduit par Elitza Dulguerova, Adeline Blanchard<\/div>\n<\/div>\n
\n

L’Histoire revisit\u00e9e<\/h3>\n
L\u2019Int\u00e9r\u00eat pour les contextes coloniaux dans l\u2019art et les institutions culturelles, \u00e0 la crois\u00e9e du pass\u00e9 et du pr\u00e9sent<\/span>
\nAcross the past and present of engaging with colonial contexts in the arts and in cultural institutions<\/span>
\nFelicity Bodenstein<\/div>\n
L\u2019Exposition, th\u00e9ories et pratiques<\/span>
\nThe Exhibition. Theories and Practices<\/span>
\nFran\u00e7ois Aubart<\/div>\n
Penser Duchamp, encore<\/span>
\nConsidering Duchamp, Again<\/span>
\nMarc D\u00e9cimo<\/div>\n
In Real Life : r\u00e9flexions sur \u00ab l\u2019exposition virtuelle \u00bb<\/span>
\nIn Real Life \u2013 A Reflection on the \u2018Online Exhibition\u2019<\/span>
\nAdeena Mey & David Morris<\/div>\n
L’Exposition comme hypoth\u00e8se<\/span>
\nThe Exhibition as Hypothesis<\/span>
\nJean-Marc Poinsot<\/div>\n<\/div>\n
\n

Archives<\/h3>\n
Germano Celant : l\u2019archive comme pratique<\/span>
\nGermano Celant : Archive as Practice<\/span>
\nLara Conte<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Directeur de la publication: Jean-Marc Poinsot
\nEditeur: Archives de la critique<\/span> d\u2019art, Universit\u00e9 de Rennes (2020)<\/p>\n

Broch\u00e9: 242 pages
\nLangue: Fran\u00e7ais\/Anglais
\nISSN:\u00a01246 8258<\/p>\n","protected":false},"featured_media":29326,"template":"","meta":[],"product_brand":[],"product_cat":[135,162,211],"product_tag":[],"class_list":["post-29327","product","type-product","status-publish","has-post-thumbnail","product_cat-english-en","product_cat-french-en","product_cat-magazines-en","first","instock","taxable","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"\nCritique d\u2019art n\u00b055 \u2013 automne\/hiver 2020 - Books on the Move<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.booksonthemove.fr\/en\/produit\/critique-dart-n55-automne-hiver-2020\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Critique d\u2019art n\u00b055 \u2013 automne\/hiver 2020 - Books on the Move\" \/>\n<meta property=\"og:description\" content=\"Directeur de la publication: Jean-Marc Poinsot Editeur: Archives de la critique d\u2019art, Universit\u00e9 de Rennes (2020) Broch\u00e9: 242 pages Langue: Fran\u00e7ais\/Anglais ISSN:\u00a01246 8258\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.booksonthemove.fr\/en\/produit\/critique-dart-n55-automne-hiver-2020\/\" \/>\n<meta property=\"og:site_name\" content=\"Books on the Move\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Librairiebooksonthemove\/\" \/>\n<meta property=\"article:modified_time\" content=\"2021-05-01T12:32:19+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.booksonthemove.fr\/media\/bom_2276.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"900\" \/>\n\t<meta property=\"og:image:height\" content=\"1386\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.booksonthemove.fr\\\/en\\\/produit\\\/critique-dart-n55-automne-hiver-2020\\\/\",\"url\":\"https:\\\/\\\/www.booksonthemove.fr\\\/en\\\/produit\\\/critique-dart-n55-automne-hiver-2020\\\/\",\"name\":\"Critique d\u2019art n\u00b055 \u2013 automne\\\/hiver 2020 - 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