{"id":29943,"date":"2021-02-22T17:15:55","date_gmt":"2021-02-22T16:15:55","guid":{"rendered":"https:\/\/www.booksonthemove.fr\/produit\/architectures-of-the-unforeseen-essays-in-the-occurrent-arts\/"},"modified":"2021-05-05T21:08:35","modified_gmt":"2021-05-05T19:08:35","slug":"architectures-of-the-unforeseen-essays-in-the-occurrent-arts","status":"publish","type":"product","link":"https:\/\/www.booksonthemove.fr\/en\/produit\/architectures-of-the-unforeseen-essays-in-the-occurrent-arts\/","title":{"rendered":"Architectures of the Unforeseen &#8211; Essays in the Occurrent Arts"},"content":{"rendered":"<p>Bringing the creative process of three contemporary artists into conversation, <em>Architectures of the Unforeseen<\/em> stages an encounter between philosophy and art and design. Its gorgeous prose invites the reader to think along with Brian Massumi as he thoroughly embodies the work of these artists, walking the line that separates theory from art and providing equally nurturing sustenance for practicing artists and working philosophers.<\/p>\n<p>Based on Massumi\u2019s lengthy\u2014and in two cases decades-long\u2014relationships with digital architect Greg Lynn, interactive media artist Rafael-Lozano Hemmer, and mixed-media installation creator Simryn Gill, <em>Architectures of the Unforeseen<\/em> delves into their processes of creating art. The book\u2019s primary interest is in what motivates each artist\u2019s practice\u2014the generative knots that inspire creativity\u2014and in how their pieces work to give off their unique effects. More than a series of profiles or critical pieces, Massumi\u2019s essays are creative, developing new philosophical concepts and offering rigorous sentiments about art and creativity.<\/p>\n<p>Asking fundamental questions about nature, culture, and the emergence of the new, <em>Architectures of the Unforeseen<\/em> is important original research on artists that are pioneers in their field. Equally valuable to the everyday reader and those engaged in scholarly work, it is destined to become an important book not only for the fields of digital architecture, interactive media, and installation art, but also more basically for our knowledge of art and creativity.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><b>Author: <\/b>Brian Massumi<br \/>\n<b>Publisher: <\/b>University of Minnesota Press (2019)<\/p>\n<p><strong>Softcover<\/strong>: 248 pages<br \/>\n<b>Language: <\/b>English<br \/>\n<strong>ISBN13:<\/strong> 978-1-5179-0596-5<\/p>\n","protected":false},"featured_media":29940,"template":"","meta":[],"product_brand":[],"product_cat":[135,282,301,227,206,139],"product_tag":[],"class_list":["post-29943","product","type-product","status-publish","has-post-thumbnail","product_cat-english-en","product_cat-digital-art-technology","product_cat-arts-plastiques-en","product_cat-essays-en","product_cat-philosophy-aesthetics-en","product_cat-work-process-en","first","instock","taxable","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - 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