{"id":32928,"date":"2021-03-24T09:43:53","date_gmt":"2021-03-24T08:43:53","guid":{"rendered":"https:\/\/www.booksonthemove.fr\/produit\/reflections-on-improvisation-choreography-and-risk-taking-in-advanced-capitalism\/"},"modified":"2025-02-25T09:45:03","modified_gmt":"2025-02-25T08:45:03","slug":"reflections-on-improvisation-choreography-and-risk-taking-in-advanced-capitalism","status":"publish","type":"product","link":"https:\/\/www.booksonthemove.fr\/en\/produit\/reflections-on-improvisation-choreography-and-risk-taking-in-advanced-capitalism\/","title":{"rendered":"Reflections on improvisation, choreography and risk-taking in advanced capitalism"},"content":{"rendered":"<div class=\"page\" title=\"Page 272\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>This book examines the often-posited opposition between dance improvisation and choreography, despite the emergence in the last fifteen or twenty years of an all-encompassing, expanded notion of choreography. In this alleged relation of opposition, choreography is often identified with the \u2018known\u2019 and improvisation the \u2018unknown\u2019. Concomitantly, the more unknown and spontaneous the action, the more risk-taking will be involved. This book challenges this opposition and proposes that choreography and improvisation are indeed different approaches to making dances, but their differences are best exposed when one thinks of spontaneity, the notion at the core of the difference but hardly scrutinized, in a more dimensional, situated and less determined manner. Doing this helps us to understand not only how improvisation is indeed not just \u201cspontaneous and free\u201d and choreography not just a \u201csystem of command and obedience\u201d, but also how improvisation does not necessarily entail more risk-taking than choreography. Risk-taking is as a multifaceted, distributed and situated process as are improvisation and choreography. In order to argue for this, the book engages with the work of two choreographers, Mary O\u2019Donnell (Fulkerson) and Lia Rodrigues, as well as a vast and eclectic number of theories.<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p><b>AUTHOR:\u00a0<\/b>Jo\u00e3o Cerqueira da Silva Junior<br \/>\n<b><\/b><b>PUBLISHER: <\/b>Theatre Academy of the University of the Arts, Helsinki (2017)<\/p>\n<p><strong>SERIES:<\/strong> Kinesis 8<br \/>\n<b>SOFT COVER: <\/b>272\u00a0pages<br \/>\n<b>LANGUAGE: <\/b>English<br \/>\n<strong>ISBN13:\u00a0<\/strong><span style=\"font-family: Consolas, Monaco, monospace;\">978-952-7218-18-1<\/span><\/p>\n","protected":false},"featured_media":32943,"template":"","meta":[],"product_brand":[],"product_cat":[135,240,146,138],"product_tag":[],"class_list":{"0":"post-32928","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-english-en","7":"product_cat-choreography-en","8":"product_cat-theoretical-texts-en","9":"product_cat-improvisation-en","11":"first","12":"outofstock","13":"taxable","14":"shipping-taxable","15":"purchasable","16":"product-type-simple"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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