{"id":34324,"date":"2022-04-12T20:00:49","date_gmt":"2022-04-12T18:00:49","guid":{"rendered":"https:\/\/www.booksonthemove.fr\/produit\/le-danseur-des-solitudes\/"},"modified":"2026-05-26T15:26:50","modified_gmt":"2026-05-26T13:26:50","slug":"le-danseur-des-solitudes","status":"publish","type":"product","link":"https:\/\/www.booksonthemove.fr\/en\/produit\/le-danseur-des-solitudes\/","title":{"rendered":"Le Danseur des solitudes"},"content":{"rendered":"<p>&#8221; J&#8217;ai vu, un jour, dans les Alpujarras, un oiseau <em>immobile<\/em> dans le ciel. C&#8217;\u00e9tait un petit rapace. Son corps, \u00e0 mieux y regarder, esquissait bien quelques gestes infimes\u00a0: juste ce qu&#8217;il fallait pour demeurer dans le ciel en un point aussi pr\u00e9cis qu&#8217;intangible. Sans doute \u00e9tait-ce le <em>sitio<\/em> convenable pour bien guetter sa proie. Mais il lui avait fallu, pour cela m\u00eame, renoncer \u00e0 voler vers un but, ne surtout pas &#8221; fendre l&#8217;air &#8220;, tout annuler pour un temps ind\u00e9fini. C&#8217;est parce qu&#8217;il s&#8217;\u00e9tait plac\u00e9 contre le vent &#8211; parce que le milieu, l&#8217;air, \u00e9tait lui-m\u00eame en mouvement &#8211; que le corps de l&#8217;oiseau pouvait ainsi jouer \u00e0 suspendre l&#8217;ordre normal des choses et \u00e0 d\u00e9ployer cette immobilit\u00e9 de funambule, cette <em>immobilit\u00e9 virtuose.<\/em> Voil\u00e0 exactement, me suis-je dit alors, ce que c&#8217;est que danser\u00a0: faire de son corps une forme d\u00e9duite, f\u00fbt-elle immobile, de forces multiples. &#8221;<br \/>\nIl ne s&#8217;agit, dans ce livre, que de regarder et de d\u00e9crire philosophiquement, autant que faire se peut, un grand danseur de <em>baile jondo,<\/em> Israel Galv\u00e1n. Il s&#8217;agit de reconna\u00eetre dans son art contemporain un art de &#8221; naissance de la trag\u00e9die &#8220;. Il s&#8217;agit d&#8217;\u00e9couter son rythme et de reconna\u00eetre dans ses mots &#8211; au moins trois d&#8217;entre eux\u00a0: la<em> jondura<\/em> ou &#8221; profondeur &#8220;, le <em>rematar<\/em> ou l&#8217;art de &#8221; mettre fin &#8221; et le <em>templar,<\/em> intraduisible &#8211; de grands concepts esth\u00e9tiques que notre esth\u00e9tique ignore encore.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>AUTEUR\u00a0<\/strong>:\u00a0Georges Didi-Huberman<br \/>\n<strong>EDITEUR :<\/strong>\u00a0Les \u00e9ditions de minuit (2006)<\/p>\n<p><strong>BROCH\u00c9 :<\/strong>\u00a0192 pages<br \/>\n<strong>LANGUE :<\/strong> Fran\u00e7ais<br \/>\n<strong>ISBN13 :<\/strong> 978-2-707-31958-6<\/p>\n","protected":false},"featured_media":34323,"template":"","meta":[],"product_brand":[],"product_cat":[227,162,170,206],"product_tag":[],"class_list":["post-34324","product","type-product","status-publish","has-post-thumbnail","product_cat-essays-en","product_cat-french-en","product_cat-artists-career-en","product_cat-philosophy-aesthetics-en","first","instock","taxable","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - 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