{"id":3612,"date":"2016-08-19T13:59:28","date_gmt":"2016-08-19T11:59:28","guid":{"rendered":"https:\/\/www.booksonthemove.fr\/en\/product\/dramaturgien-des-anfangens\/"},"modified":"2020-12-16T20:34:53","modified_gmt":"2020-12-16T19:34:53","slug":"dramaturgien-des-anfangens","status":"publish","type":"product","link":"https:\/\/www.booksonthemove.fr\/en\/produit\/dramaturgien-des-anfangens\/","title":{"rendered":"Dramaturgien des Anfangens"},"content":{"rendered":"<p class=\"bodytext\">Wie anfangen<\/p>\n<p class=\"bodytext\">\u201aAnfang\u2018 und \u201aEnde\u2018 sind in den letzten Jahren sowohl in den Wissenschaften als auch den K\u00fcnsten zunehmend prek\u00e4re Kategorien geworden: Einerseits werden Handlungen ausgehend von Konzepten der Kontinuit\u00e4t und Wiederholung gedacht, die auf keinen urspr\u00fcnglichen Grund zur\u00fcckzuf\u00fchren sind. Andererseits stehen wir immer wieder den Anforderungen, Problemen und den Herausforderungen des Anfangens gegen\u00fcber: Wie beginnen? Wie einen Anfang produzieren?<\/p>\n<p class=\"bodytext\">K\u00fcnstler_innen, Wissenschaftler_innen und Aktionist_innen suchen in ihren Projekten vielfach nach M\u00f6glichkeiten, dem Handeln neue Wendungen zu geben, \u201aetwas\u2018 zu beginnen, ohne sich zugleich den Produktionszw\u00e4ngen eines \u201aRegimes des Anfangens\u2018 zu unterwerfen. Welche Fragen und Probleme ergeben sich somit, wenn die\u00a0<span class=\"csc-sword\">Dramaturgien<\/span>des Anfangens nicht gegen, sondern ausgehend von Konzepten der Differenz und Wiederholung gedacht und konzeptualisiert werden? Wie l\u00e4sst sich der Begriff des Anfangs produktiv wenden und als Beschreibungskategorie f\u00fcr soziales, k\u00fcnstlerisches und wissenschaftliches Handeln diskutieren?\u00a0<span class=\"csc-sword\">Dramaturgien<\/span>\u00a0des Anfangens nimmt sich jener Fragen an und beleuchtet Figurationen des Anfangs aus der Perspektive der Philosophie, Kunstgeschichte, Theater-, Film-, Medien- und Kulturwissenschaft.<\/p>\n<p class=\"bodytext\">Mit Beitr\u00e4gen von Julia Bee, Christoph Brunner, Leena Crasemann, Adam Czirak, Gerko Egert, J\u00f6rn Etzold, Karin Harrasser, Krassimira Kruschkova, Sibylle Peters, Gerald Raunig, Matthias Warstat und Heike Winkel.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>Hg.:<\/strong> Adam Czirak &amp; Gerko Egert<br \/>\n<strong>Verlag:<\/strong> Neofelis Verlag (2016)<\/p>\n<p><strong>Softcover:<\/strong> 276 Seiten<br \/>\n<strong>Sprache:<\/strong> Deutsch<br \/>\n<strong>ISBN13:<\/strong> 978-3-95808-028-7<\/p>\n","protected":false},"featured_media":3376,"template":"","meta":[],"product_brand":[],"product_cat":[167,146,227,206,148],"product_tag":[],"class_list":["post-3612","product","type-product","status-publish","has-post-thumbnail","product_cat-german-en","product_cat-theoretical-texts-en","product_cat-essays-en","product_cat-philosophy-aesthetics-en","product_cat-politics-en","first","instock","taxable","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Dramaturgien des Anfangens - Books on the Move<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.booksonthemove.fr\/en\/produit\/dramaturgien-des-anfangens\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dramaturgien des Anfangens - Books on the Move\" \/>\n<meta property=\"og:description\" content=\"Hg.: Adam Czirak &amp; 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