{"id":3647,"date":"2016-08-18T18:51:04","date_gmt":"2016-08-18T16:51:04","guid":{"rendered":"https:\/\/www.booksonthemove.fr\/en\/product\/feminine-futures-valentine-de-saint-point\/"},"modified":"2022-08-19T17:01:19","modified_gmt":"2022-08-19T15:01:19","slug":"feminine-futures-valentine-de-saint-point","status":"publish","type":"product","link":"https:\/\/www.booksonthemove.fr\/en\/produit\/feminine-futures-valentine-de-saint-point\/","title":{"rendered":"Feminine Futures \u2013 Valentine de Saint-Point"},"content":{"rendered":"<div class=\"resume\">Un r\u00e9examen du r\u00f4le des avant-gardes f\u00e9minines\u00a0dans le champ de la performance\u00a0et de la\u00a0danse\u00a0: une publication somptueuse avec plus de 2500 illustrations en couleur, ensemble de documents autour de Valentine de Saint-Point, de\u00a0Marinetti, du futurisme, de Canudo, des Ballets Russes, de l&#8217;expressionnisme allemand et am\u00e9ricain (photographies, lettres manuscrites, dessins, gravures, manifestes, \u00e9ditions originales et programmes).<\/div>\n<div class=\"citation\">Focalis\u00e9e sur un r\u00e9examen du r\u00f4le des avant-gardes f\u00e9minines du d\u00e9but XXe si\u00e8cle dans le champ de la performance et de la danse, la premi\u00e8re \u00e9tape de l&#8217;exposition\u00a0<em>Feminine Futures<\/em>, con\u00e7ue par Adrien Sina, a lieu \u00e0 la Biennale Performa\u00a0de New York en 2009, \u00e0 l&#8217;Italian Cultural Institute. Structur\u00e9e autour d&#8217;une collection personnelle unique, elle comprend d&#8217;innombrables \u0153uvres in\u00e9dites dont une partie a \u00e9t\u00e9 pr\u00e9sent\u00e9e dans le cadre de l&#8217;exposition\u00a0<em>Danser sa vie<\/em>, au Centre Georges Pompidou en 2011-2012.<br \/>\nLe retour \u00e0 la source \u00e0 travers des documents photographiques, filmiques ou manuscrits en partie inconnus des historiens de l&#8217;art et des collections publiques, permet de franchir une nouvelle \u00e9tape dans la recherche des pr\u00e9mices de la modernit\u00e9 dans ces zones peu explor\u00e9es des actions \u00e9ph\u00e9m\u00e8res qui laissent peu de traces mat\u00e9rielles.<br \/>\nNous sommes l\u00e0 aux origines de la performance et des pratiques pluridisciplinaires qui ont inspir\u00e9 plusieurs g\u00e9n\u00e9rations d&#8217;artistes tout au long du si\u00e8cle dernier jusqu&#8217;\u00e0 aujourd&#8217;hui. Une matrice incontournable reste ici \u00e0 explorer pour le d\u00e9cryptage des dissidences et des innovations sans lesquelles l&#8217;art au f\u00e9minin n&#8217;aurait jamais eu sa propre histoire \u2013 insoumise \u00e0 l&#8217;h\u00e9g\u00e9monie des \u00ab\u00a0ismes\u00a0\u00bb initi\u00e9s par des artistes au masculin.Une convergence exceptionnelle est n\u00e9e de la rencontre entre la danse, le mouvement, l&#8217;expression corporelle et la photographie. De v\u00e9ritables strat\u00e9gies artistiques sous-tendent les proc\u00e9d\u00e9s techniques et leurs qualit\u00e9s picturales sp\u00e9cifiques pour asseoir dans la m\u00e9moire collective des univers de cr\u00e9ation novatrice. Les pi\u00e8ces photographiques de\u00a0<em>Feminine Futures<\/em>sont aussi un t\u00e9moignage pr\u00e9cieux de l&#8217;histoire de la photographie. Un demi-si\u00e8cle de mutation, entre les ann\u00e9es 1890 et 1940&#8230; Du papier albumin\u00e9, des bromures d&#8217;argent ou de radium aux \u00e9preuves argentiques, des palettes chromatiques \u00e0 chimie \u00e9volutive se d\u00e9veloppent jusqu&#8217;\u00e0 l&#8217;autodestruction de la mati\u00e8re visible.<br \/>\nDes sommets de maestria plastique et artistique sont atteints dans des collaborations entre photographes et chor\u00e9graphes comme Isaiah West Taber ou Harry C. Ellis avec Lo\u00efe Fuller, Hixon-Connelly ou Herman Mishkin avec Vera Fokina et Anna Pavlova, Lou Goodale Bigelow ou Nickolas Muray avec Ruth St. Denis, Isadora Duncan et Arnold Genthe, Charlotte Rudolph ou Hugo Erfurth avec Mary Wigman et Gret Palucca, Barbara Morgan et Chris Alexander ou encore Isamu Noguchi avec Martha Graham, Maurice Seymour ou Siegfried Enkelmann avec Ruth Page et Harald Kreutzberg&#8230;<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>Auteur :<\/strong> Adrien Sina<br \/>\n<strong>Editeur :<\/strong>\u00a0Les presses du r\u00e9el (2011)<\/p>\n<p><strong>Broch\u00e9\u00a0:<\/strong> 512 pages<br \/>\n<strong>Langues :<\/strong>\u00a0fran\u00e7ais, anglais, italien, allemand<br \/>\n<strong>ISBN13:<\/strong> 978-2-84066-351-5<\/p>\n","protected":false},"featured_media":3099,"template":"","meta":[],"product_brand":[],"product_cat":[167,135,210,258,225,202,162,296,152,205],"product_tag":[],"class_list":["post-3647","product","type-product","status-publish","has-post-thumbnail","product_cat-german-en","product_cat-english-en","product_cat-archivesdocumentation-en","product_cat-other-languages","product_cat-exhibitions-catalogues-en","product_cat-feminism-en","product_cat-french-en","product_cat-nice-big-books","product_cat-performance-en","product_cat-photography-en","first","outofstock","taxable","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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