{"id":3667,"date":"2016-08-28T22:48:07","date_gmt":"2016-08-28T20:48:07","guid":{"rendered":"https:\/\/www.booksonthemove.fr\/en\/product\/la-danse-comme-texte-ideologies-du-corps-baroque\/"},"modified":"2023-06-28T12:26:49","modified_gmt":"2023-06-28T10:26:49","slug":"la-danse-comme-texte-ideologies-du-corps-baroque","status":"publish","type":"product","link":"https:\/\/www.booksonthemove.fr\/en\/produit\/la-danse-comme-texte-ideologies-du-corps-baroque\/","title":{"rendered":"La danse comme texte – Id\u00e9ologies du corps baroque"},"content":{"rendered":"

La Danse comme Texte retrace l’histoire esth\u00e9tique et le profil id\u00e9ologique du ballet de cour fran\u00e7ais entre 1573 et 1670. En examinant les formes chor\u00e9graphiques de cette p\u00e9riode (le spectacle composite de la fin de la Renaissance. le ballet burlesque du d\u00e9but du XVIIe si\u00e8cle et la com\u00e9die-ballet de la deuxi\u00e8me moiti\u00e9 du XVIIe si\u00e8cle) Mark Franko montre comment le corps a \u00e9merg\u00e9 d’un th\u00e9\u00e2tre verbal pour devenir lui-m\u00eame un texte corps-texte dont l’autonomie s’est forg\u00e9e en r\u00e9action \u00e0\u00a0 divers programmes politiques. comme l’expression de la r\u00e9sistance des nobles face au pouvoir grandissant de la monarchie de Louis XIV. L’itin\u00e9raire chor\u00e9graphique retrac\u00e9 dans cet ouvrage – depuis la naissance de la danse th\u00e9\u00e2trale en 1581 jusqu’aux com\u00e9dies-ballets de Moli\u00e8re, subversion nostalgique du ballet de cour officiel – pose le probl\u00e8me de la dialectique entre l’autonomie du corps et les discours du texte (l’autonomie esth\u00e9tique d’un corps rev\u00eatant une signification politique propre). Apr\u00e8s l’\u00e9tude des livrets de spectacle, des th\u00e9ories dramatiques \u00e9labor\u00e9es \u00e0\u00a0 l’\u00e9poque des remarques sur le corps de Montaigne et des reconstructions de spectacles baroques dans les ann\u00e9es 1980, La danse comme texte poursuit cette enqu\u00eate sur les revendications politiques et esth\u00e9tiques par une r\u00e9flexion sur les travaux des chor\u00e9graphes modernes (Oskar Schlemmer, Edward Gordon Craig) dont l’int\u00e9r\u00eat pour les jeux inexpressifs et les automates se rapproche de certains aspects du ballet de cour.<\/p>\n","protected":false},"excerpt":{"rendered":"

Auteur:<\/strong> Mark Franko traduit de l’anglais (Etats-Unis) par Sophie Renaut
\nEditeurs:<\/strong> Kargo & L’\u00e9clat (2005)<\/p>\n

Broch\u00e9:<\/strong> 336 pages
\nLangue:<\/strong> Fran\u00e7ais
\nISBN13:<\/strong> 978 2 841 62088 3<\/p>\n","protected":false},"featured_media":3256,"template":"","meta":[],"product_brand":[],"product_cat":[247,250,146,162,163,206,148],"product_tag":[],"class_list":["post-3667","product","type-product","status-publish","has-post-thumbnail","product_cat-ballet-2-en","product_cat-danse-baroque-en","product_cat-theoretical-texts-en","product_cat-french-en","product_cat-france-en","product_cat-philosophy-aesthetics-en","product_cat-politics-en","first","outofstock","taxable","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"\nLa danse comme texte - Id\u00e9ologies du corps baroque - Books on the Move<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.booksonthemove.fr\/produit\/la-danse-comme-texte-ideologies-du-corps-baroque\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La danse comme texte - 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