{"id":3679,"date":"2016-08-28T22:48:07","date_gmt":"2016-08-28T20:48:07","guid":{"rendered":"https:\/\/www.booksonthemove.fr\/en\/product\/are-100-objects-enough-to-represent-the-dance-zur-archivierbarkeit-von-tanz\/"},"modified":"2020-04-18T12:16:12","modified_gmt":"2020-04-18T10:16:12","slug":"are-100-objects-enough-to-represent-the-dance-zur-archivierbarkeit-von-tanz","status":"publish","type":"product","link":"https:\/\/www.booksonthemove.fr\/en\/produit\/are-100-objects-enough-to-represent-the-dance-zur-archivierbarkeit-von-tanz\/","title":{"rendered":"Are 100 objects enough to represent the dance? Zur Archivierbarkeit von Tanz"},"content":{"rendered":"<p>Sich dem Tanzarchiv zu verschreiben, bedeutet sich der Archivierung einer Kunstform zu widmen, die gemeinhin in ihrer Fl\u00fcchtigkeit betont wird und somit als schwierig bis gar nicht dokumentierbar gilt. Tats\u00e4chlich aber macht die Eigenschaft des Fl\u00fcchtigen den Tanz geradezu zum pr\u00e4destinierten Sammel- und Theorieobjekt innerhalb aktuellster Archiv-Diskurse.<br \/>\nDenn (Tanz)Archive und das durch sie verf\u00fcgbar gemachte Sammelgut befinden sich durch die Nutzung in st\u00e4ndiger Bewegung. Das Denken \u00fcber Bewegung und den damit verbundenen Koordinaten von K\u00f6rper, Raum und Zeit steht nie still. Vergangene Ideen, Ideale und auch Ideologien mischen sich, \u00fcberlagern und kontrastieren sich. Die Fl\u00fcchtigkeit des Tanzes entspricht der Fl\u00fcchtigkeit der betrachtenden Standpunkte.<br \/>\nDie Materialien eines Tanzarchivs sind nicht nur Dokumente bestimmter Zeiten und ihrer \u00e4sthetisch-k\u00fcnstlerischen Vorstellungswelten. Sie geben auch Zeugnis von sich wandelnder Wissensaneignung und Wissensdefinitionen. Politisch betrachtet ist die K\u00f6rperkunst Tanz stets Spiegelbild der sie pr\u00e4genden gesellschaftlichen (Macht)strukturen und Normierungen, die alle ihre Spuren am K\u00f6rper und dessen Formen der \u00c4sthetisierung hinterlassen.<br \/>\nAre 100 Objects enough to represent the Dance? n\u00e4hert sich den Orten der Tanzarchivierung mal als jene des K\u00f6rperged\u00e4chtnisses, mal als die des Erinnerns und versteht sie schlie\u00dflich als Orte in Bewegung. Dabei changieren die Standpunkte und Perspektiven zwischen Tanztheorie, Tanz- und Archivpraxis.<br \/>\nDabei beschr\u00e4nkt sich das vorliegende Buch nicht auf eine eurozentristische Perspektive auf Archivierungsstrategien sondern integriert auch Ans\u00e4tze aus Israel, S\u00fcd- und Nordamerika sowie Korea.<br \/>\nMit Beitr\u00e4gen von: Si-Hyun Yoo, Hye Kyung Kwon, Haeree Choi &amp; Hyun-Joo Kim, Talia Perlshtein, Jan Schmidt, Thomas Thorausch, Laurent Sebillotte, Fabian Barba, Martin Nachbar, Kattrin Deufert &amp; Thomas Plischke, Jochen Roller, Jeff Friedman, Nicole Haitzinger, Wolfgang Ernst, Thomas Lehmen, Janine Schulze.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>Hg.:<\/strong> Janine Schulze<br \/>\n<strong>Verlag<\/strong>: epodium (June 2010)<\/p>\n<p><strong>Paperback:<\/strong> 252 Seiten<br \/>\n<strong>Sprache:<\/strong> Deutsch\/Englisch<br \/>\n<strong>ISBN13:<\/strong> 978-3940388-16-2<\/p>\n","protected":false},"featured_media":3280,"template":"","meta":[],"product_brand":[],"product_cat":[167,135,210,227],"product_tag":[],"class_list":["post-3679","product","type-product","status-publish","has-post-thumbnail","product_cat-german-en","product_cat-english-en","product_cat-archivesdocumentation-en","product_cat-essays-en","first","outofstock","taxable","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Are 100 objects enough to represent the dance? 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