{"id":4007,"date":"2016-12-28T18:31:49","date_gmt":"2016-12-28T17:31:49","guid":{"rendered":"https:\/\/www.booksonthemove.fr\/?post_type=product&#038;p=4007"},"modified":"2019-09-23T15:20:21","modified_gmt":"2019-09-23T13:20:21","slug":"israel-galvan-danser-le-silence","status":"publish","type":"product","link":"https:\/\/www.booksonthemove.fr\/en\/produit\/israel-galvan-danser-le-silence\/","title":{"rendered":"Israel Galv\u00e1n: danser le silence"},"content":{"rendered":"<p class=\"bodytext\">Avec\u00a0<span class=\"csc-sword\">Israel<\/span>\u00a0Galv\u00e1n, la danse flamenca s&#8217;engage sur le terrain de la performance con\u00e7ue comme un &#8220;processus&#8221;.<\/p>\n<p class=\"bodytext\">Elle devient une &#8220;proposition, &#8220;une cr\u00e9ation en acte&#8221;. Depuis 1998, avec le spectacle. Mira ! Los zapatos rojos, premier jalon de sa collaboration avec le plasticien Pedro G. Romero, le solo s&#8217;impose \u00e0\u00a0<span class=\"csc-sword\">Israel<\/span>\u00a0Galv\u00e1n comme une n\u00e9cessit\u00e9 d&#8217;\u00eatre devant l&#8217;h\u00e9ritage flamenco qu&#8217;il porte en lui. Il le ram\u00e8ne au fondement \u00e9thique du flamenco, una forma de ser, autrement dit un mode d&#8217;\u00eatre. D\u00e9fiant toute posture artistique, il s&#8217;agit d&#8217;une mise en jeu de soi au travers du geste vocal ou dans\u00e9.<\/p>\n<p class=\"bodytext\">A l&#8217;\u00e9coute de cette pratique,\u00a0<span class=\"csc-sword\">Israel<\/span>\u00a0Galv\u00e1n r\u00e9\u00e9value la danse flamenca dans sa conception de num\u00e9ro, \u00e9labor\u00e9e \u00e0 l&#8217;\u00e9poque des caf\u00e9s cantantes (caf\u00e9s concerts), encore pr\u00e9sente aujourd&#8217;hui dans le cuadro flamenco (spectacle \u00e0 num\u00e9ros chant\u00e9s, dans\u00e9s et instrumentaux).\u00a0<span class=\"csc-sword\">Israel<\/span>\u00a0Galv\u00e1n de los Reyes (S\u00e9ville, 1973) apprend la danse d\u00e8s l&#8217;enfance avec son p\u00e8re, le danseur Jos\u00e9 Galv\u00e0n, et sa m\u00e8re, la danseuse Eugenia de los Reyes.<\/p>\n<p class=\"bodytext\">En 1994, il entre dans la Compania Andaluza de Danza dirig\u00e9e par Mario Maya. D\u00e8s 1998,\u00a0<span class=\"csc-sword\">Israel<\/span>\u00a0Galv\u00e1n pr\u00e9sente ses propres cr\u00e9ations. Une trajectoire peu commune commence, jalonn\u00e9e par l&#8217;obtention des prix les plus prestigieux du flamenco et de la danse. En 2005, il re\u00e7oit le Premio nacional de Danza &#8211; domaine de la cr\u00e9ation &#8211; attribu\u00e9 par le minist\u00e8re de la Culture espagnole pour sa capacit\u00e9 \u00e0 g\u00e9n\u00e9rer dans un art tel que le flamenco une cr\u00e9ation nouvelle sans oublier les v\u00e9ritables racines qui l&#8217;ont nourri jusqu&#8217;\u00e0 nos jours, et qui le constituent comme un genre universel&#8221;.<\/p>\n<p class=\"bodytext\">Dix cr\u00e9ations voient le jour entre 1998 et 2008. Elles d\u00e9finissent une \u00e9tape fondamentale dans l&#8217;\u00e9volution de la danse et de la cr\u00e9ation chor\u00e9graphique flamenca.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>Auteur:<\/strong> Corinne Frayssinet Savy<br \/>\n<strong>Editeur:<\/strong> Actes Sud (Juillet 2009)<\/p>\n<p><strong>Broch\u00e9:<\/strong> 94 pages<br \/>\n<strong>Langue:<\/strong> Fran\u00e7ais<br \/>\n<strong>ISBN:<\/strong> 978-2-7427-8414-1<\/p>\n","protected":false},"featured_media":4006,"template":"","meta":[],"product_brand":[],"product_cat":[149,227,310,162,170,268],"product_tag":[],"class_list":["post-4007","product","type-product","status-publish","has-post-thumbnail","product_cat-contemporary-dance-en","product_cat-essays-en","product_cat-flamenco-en","product_cat-french-en","product_cat-artists-career-en","product_cat-spain","first","instock","taxable","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - 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