{"id":40544,"date":"2023-11-21T15:27:04","date_gmt":"2023-11-21T14:27:04","guid":{"rendered":"https:\/\/www.booksonthemove.fr\/produit\/silence-lectures-and-writings-50th-anniversary-edition\/"},"modified":"2024-10-21T12:32:06","modified_gmt":"2024-10-21T10:32:06","slug":"silence-lectures-and-writings-50th-anniversary-edition","status":"publish","type":"product","link":"https:\/\/www.booksonthemove.fr\/en\/produit\/silence-lectures-and-writings-50th-anniversary-edition\/","title":{"rendered":"Silence Lectures and Writings, 50th Anniversary Edition"},"content":{"rendered":"<p>With a foreword to 50th Anniversary Edition by Kyle Gann<\/p>\n<p><strong>Silence, A Year from Monday, M, Empty Words and X (in this order) form the five parts of a series of books in which Cage tries, as he says, &#8220;to find a way of writing which comes from ideas, is not about them, but which produces them.&#8221; Often these writings include mesostics and essays created by subjecting the work of other writers to chance procedures using the I Ching (what Cage called &#8220;writing through&#8221;).<\/strong><\/p>\n<p>John Cage is the outstanding composer of avant-garde music today. The Saturday Review said of him: &#8220;Cage possesses one of the rarest qualities of the true creator- that of an original mind- and whether that originality pleases, irritates, amuses or outrages is irrelevant.&#8221; &#8220;He refuses to sermonize or pontificate. What John Cage offers is more refreshing, more spirited, much more fun-a kind of carefree skinny-dipping in the infinite. It&#8217;s what&#8217;s happening now.&#8221; \u2013The American Record Guide<\/p>\n<p>&#8220;There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot. Sounds occur whether intended or not; the psychological turning in direction of those not intended seems at first to be a giving up of everything that belongs to humanity. But one must see that humanity and nature, not separate, are in this world together, that nothing was lost when everything was given away.&#8221;<\/p>\n<p>Foreword<br \/>\nManifesto<br \/>\nThe Future of Music: Credo<br \/>\nExperimental Music<br \/>\nExperimental Music: Doctrine<br \/>\nComposition as Process<br \/>\nChanges<br \/>\nIndeterminacy<br \/>\nCommunication<br \/>\nComposition<br \/>\nTo Describe the Composition Used in Music of Changes and Imaginary Landscape No. 4<br \/>\nTo Describe the Process of Composition Used in Music for Piano 21-52<br \/>\nForerunners of Modern Music<br \/>\nHistory of Experimental Music in the United States<br \/>\nErik Satie<br \/>\nEdgard Varese<br \/>\nFour Statements on the Dance<br \/>\nGrace and Clarity<br \/>\nIn This Day&#8230;<br \/>\n2 pages, 122 Words on Music and Dance<br \/>\nOn Robert Rauschenberg, Artist, and his Work<br \/>\nLecture on Nothing<br \/>\nLecture on Something<br \/>\n45&#8242; for a speaker<br \/>\nWhere Are We Going?<br \/>\nIndeterminancy<br \/>\nMusic Lovers&#8217; Field Companion<\/p>\n","protected":false},"excerpt":{"rendered":"<p><b>AUTHOR: <\/b>John Cage<br \/>\n<b>PUBLISHER: <\/b>Wesleyan University Press (2013)<\/p>\n<p><b>PAPERBACK: <\/b>312\u00a0pages<br \/>\n<b>LANGUAGE: <\/b>English<br \/>\n<strong>ISBN13:\u00a0<\/strong>978-0-819-57365-0<\/p>\n","protected":false},"featured_media":40543,"template":"","meta":[],"product_brand":[],"product_cat":[135,157,227,200,283],"product_tag":[],"class_list":["post-40544","product","type-product","status-publish","has-post-thumbnail","product_cat-english-en","product_cat-artists-writings-en","product_cat-essays-en","product_cat-music-en","product_cat-sound-art","first","outofstock","taxable","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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