{"id":43489,"date":"2024-08-09T14:01:48","date_gmt":"2024-08-09T12:01:48","guid":{"rendered":"https:\/\/www.booksonthemove.fr\/produit\/volume-what-you-see-is-what-you-hear-n7-numero-special-entretiens\/"},"modified":"2024-08-30T17:11:32","modified_gmt":"2024-08-30T15:11:32","slug":"volume-what-you-see-is-what-you-hear-n7-numero-special-entretiens","status":"publish","type":"product","link":"https:\/\/www.booksonthemove.fr\/en\/produit\/volume-what-you-see-is-what-you-hear-n7-numero-special-entretiens\/","title":{"rendered":"Volume \u2013 What You See Is What You Hear n\u00b07 – Num\u00e9ro sp\u00e9cial entretiens"},"content":{"rendered":"
\n

\u2014 Pourquoi un num\u00e9ro sp\u00e9cial d\u00e9di\u00e9 \u00e0 l’entretien ?<\/p>\n

\u2014 Pr\u00e9sent dans la revue depuis le premier num\u00e9ro, ce r\u00e9gime de texte se r\u00e9v\u00e8le intrins\u00e8quement li\u00e9 \u00e0 la parole \u2013 du moins au dialogue, puisque cet \u00e9change ne se fait pas n\u00e9cessairement de vive voix. En cela, il rec\u00e8le un potentiel \u00e9minemment sonore, non seulement via ce qui se dit, mais aussi ce qui peut s’entendre en marge de la discussion.
\nAussi avons-nous eu envie de lui consacrer un num\u00e9ro entier car, tout en r\u00e9sonnant avec la sp\u00e9cificit\u00e9 de la revue d’art contemporain sur le son qu’est VOLUME, il offre un large \u00e9ventail de possibilit\u00e9s en termes de format et de ton. Sans pr\u00e9tendre ni viser \u00e0 l’exhaustivit\u00e9, cet opus tente ainsi de refl\u00e9ter une telle diversit\u00e9, en m\u00eame temps qu’il s’attache \u00e0 faire cohabiter, au sein d’une m\u00eame publication, une multitude de voix.
\nAux diff\u00e9rents textes regroup\u00e9s ici autour de la notion de \u00ab\u00a0son \u00e9largi\u00a0\u00bb s’ajoutent trois interventions artistiques qui, pour leur part, font \u00e9cho \u00e0 l’essence dialogique de l’entretien, voire la rejouent.<\/p>\n<\/div>\n

Entretiens avec Tarek Atoui, Olaf Nicolai, David Sanson, Mungo Thomson, Steve Roden, S\u00e9bastien Roux, Anri Sala…<\/div>\n
<\/div>\n
Volume<\/em> \u2013 What You See Is What You Hear<\/em> se pr\u00e9sente comme la premi\u00e8re revue d’art contemporain sp\u00e9cialis\u00e9e sur le son. Ni revue musicale, ni revue d’art sonore, Volume<\/em>envisage le son du point de vue des arts plastiques.<\/div>\n
<\/div>\n
\/<\/div>\n
<\/div>\n
\n
\u2013 Why a special issue devoted to the interview?<\/p>\n

\u2013 This kind of text has been a feature of the magazine since the very first issue, and is intrinsically bound up with words \u2013\u00a0or at least with dialogue, because interviews are not necessarily conducted in person. As such, the interview has an eminently acoustic potential, not only through what is said, but also via what can be heard on the sidelines of the discussion.
\nSo we were keen to devote a whole issue to it because, while echoing the specific nature of the contemporary art magazine about sound that VOLUME is, it also offers a wide range of possibilities in terms of format and tone. Without claiming or aiming to be exhaustive, this issue also tries to reflect this kind of diversity, at the same time as it endeavours to get a host of different voices to co-exist in one and the same publication.
\nAdded to the different essays brought together around the notion of an \u201cexpanded sound\u201d are three artistic contributions which, for their part, echo the dialogic essence of the interview, or even re-enact it.<\/p>\n

(…)<\/p><\/div>\n

Interviews with Tarek Atoui, Olaf Nicolai, David Sanson, Mungo Thomson, Steve Roden, S\u00e9bastien Roux, Anri Sala…<\/div>\n
Volume<\/em> \u2013 What You See Is What You Hear<\/em> is the first magazine devoted to sound issues in art, and to the complex relationships between visual and sound forms, both in contemporary art and history.<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

AUTEUR\u00b7ES :<\/b> Sous la direction de Rapha\u00ebl Brunel et Anne-Lou Vicente
\n\u00c9DITEUR :<\/strong> What You See Is What You Hear (2013)<\/p>\n

BROCH\u00c9 :<\/strong> 160 pages
\nLANGUE :<\/strong>\u00a0Bilingue fran\u00e7ais\/anglais
\nISBN13 :<\/strong> 978-2-919217-12-0<\/p>\n","protected":false},"featured_media":43488,"template":"","meta":[],"product_brand":[],"product_cat":[135,162,211,283],"product_tag":[],"class_list":{"0":"post-43489","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-english-en","7":"product_cat-french-en","8":"product_cat-magazines-en","9":"product_cat-sound-art","11":"first","12":"instock","13":"taxable","14":"shipping-taxable","15":"purchasable","16":"product-type-simple"},"yoast_head":"\nVolume \u2013 What You See Is What You Hear n\u00b07 - Num\u00e9ro sp\u00e9cial entretiens - Books on the Move<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.booksonthemove.fr\/en\/produit\/volume-what-you-see-is-what-you-hear-n7-numero-special-entretiens\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Volume \u2013 What You See Is What You Hear n\u00b07 - 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