{"id":5027,"date":"2017-11-05T22:36:01","date_gmt":"2017-11-05T21:36:01","guid":{"rendered":"https:\/\/www.booksonthemove.fr\/produit\/the-concrete-body-yvonne-rainer-carolee-schneemann-vito-acconci\/"},"modified":"2023-08-10T17:35:21","modified_gmt":"2023-08-10T15:35:21","slug":"the-concrete-body-yvonne-rainer-carolee-schneemann-vito-acconci","status":"publish","type":"product","link":"https:\/\/www.booksonthemove.fr\/en\/produit\/the-concrete-body-yvonne-rainer-carolee-schneemann-vito-acconci\/","title":{"rendered":"The Concrete Body &#8211; Yvonne Rainer, Carolee Schneemann, Vito Acconci"},"content":{"rendered":"<p>Offering an incisive rejoinder to traditional histories of modernism and postmodernism, this original book examines <span class=\"csc-sword\">the<\/span> 1960s performance work of three New York artists who adapted modernist approaches to form for <span class=\"csc-sword\">the<\/span>medium of <span class=\"csc-sword\">the<\/span> human <span class=\"csc-sword\">body<\/span>. Finding parallels between <span class=\"csc-sword\">the<\/span> tactility of a drip of paint and a <span class=\"csc-sword\">body<\/span>\u2019s reflexive movements, Elise Archias argues convincingly that Yvonne Rainer (b. 1934), Carolee Schneemann (b. 1939), and Vito Acconci (b. 1940) forged a dialogue between modernist aes<span class=\"csc-sword\">the<\/span>tics and <span class=\"csc-sword\">the<\/span>ir own artistic community\u2019s embrace of all things ordinary through work that explored <span class=\"csc-sword\">the<\/span> abstraction born of <span class=\"csc-sword\">the<\/span> <span class=\"csc-sword\">body<\/span>\u2019s materiality. Rainer\u2019s task-like dances, Schneemann\u2019s sensuous appropriations of popular entertainment, and Acconci\u2019s behaviorist-inflected tests highlight <span class=\"csc-sword\">the<\/span> <span class=\"csc-sword\">body<\/span>\u2019s unintended movements as vital reminders of embodied struggle amid <span class=\"csc-sword\">the<\/span> constraining structures in contemporary culture. Archias also draws compelling comparisons between embodiment as performed in <span class=\"csc-sword\">the<\/span> work of <span class=\"csc-sword\">the<\/span>se three artists and in <span class=\"csc-sword\">the<\/span> sit-ins and o<span class=\"csc-sword\">the<\/span>r nonviolent protests of <span class=\"csc-sword\">the<\/span> era.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>Author:<\/strong> Elise Archias<br \/>\n<strong>Publisher:<\/strong> Yale University Press (2016)<\/p>\n<p><strong>Hardcover:<\/strong> 240 pages<br \/>\n<strong>Language:<\/strong> English<br \/>\n<strong>ISBN13:<\/strong> 978 0 300 21797 1<\/p>\n","protected":false},"featured_media":5026,"template":"","meta":[],"product_brand":[],"product_cat":[135,146,152],"product_tag":[],"class_list":["post-5027","product","type-product","status-publish","has-post-thumbnail","product_cat-english-en","product_cat-theoretical-texts-en","product_cat-performance-en","first","outofstock","taxable","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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