{"id":7887,"date":"2019-09-26T16:47:46","date_gmt":"2019-09-26T14:47:46","guid":{"rendered":"https:\/\/www.booksonthemove.fr\/?post_type=product&p=7887"},"modified":"2024-11-07T23:59:36","modified_gmt":"2024-11-07T22:59:36","slug":"projet-phalanstere-au-cac-bretigny","status":"publish","type":"product","link":"https:\/\/www.booksonthemove.fr\/en\/produit\/projet-phalanstere-au-cac-bretigny\/","title":{"rendered":"Projet Phalanst\u00e8re au CAC Br\u00e9tigny"},"content":{"rendered":"

La publication retrace le programme architectural men\u00e9 par Pierre Bal-Blanc au CAC Br\u00e9tigny de 2003 \u00e0 2015, un ensemble de projets in situ qui contribuent au d\u00e9veloppement des moyens de cr\u00e9ation et de p\u00e9dagogie, favorisant les relations sociales entre l’int\u00e9rieur et l’ext\u00e9rieur du lieu et les riverains.<\/p>\n

Le \u00ab Projet Phalanst\u00e8re \u00bb au CAC Br\u00e9tigny est un programme architectural exp\u00e9rimental bas\u00e9 sur l’immanence de la cr\u00e9ation artistique. Il se d\u00e9ploie \u00e0 travers une s\u00e9rie d’\u0153uvres d\u00e9velopp\u00e9es, suite \u00e0 des \u00e9changes \u00e0 long terme avec des artistes, sp\u00e9cifiquement pour le site et exc\u00e9dant la dur\u00e9e de leur exposition temporaire. En tant que telles, elles favorisent le d\u00e9veloppement \u2013 dans une progression organique \u2013 d’un espace de cr\u00e9ation et d’exp\u00e9rimentation qui profite \u00e0 ses visiteurs et usagers.<\/p>\n

Qu’il se prolonge avec les diff\u00e9rentes directions artistiques qui se succ\u00e8dent sur le site ou qu’il se fige suite \u00e0 l’\u00e9ventuelle reconversion du lieu, le \u00ab Projet Phalanst\u00e8re \u00bb subsistera par l’action des \u0153uvres qui le constituent et par la m\u00e9moire de leurs influences que ce trait\u00e9 entend rendre vivante.<\/p>\n

Cette publication propose de suivre une nouvelle syntaxe. Elle n’invite pas seulement \u00e0 un renouvellement de la terminologie de la programmation dans un milieu artistique. Cette syntaxe est une construction qui s’est \u00e9labor\u00e9e en s’\u00e9difiant progressivement \u00e0 partir de la mati\u00e8re complexe des \u0153uvres dans un certain contexte \u2013 celui d’un centre d’art situ\u00e9 dans la banlieue parisienne \u2013, et non pas en s’inventant \u00e0 l’appui des mots ou des discours prof\u00e9r\u00e9s depuis une sc\u00e8ne abstraite.<\/p>\n

Le continuum visuel qui introduit le chapitre sur la partition des \u0153uvres relate un ordre alternatif au temps institutionnel dans lequel le \u00ab Projet Phalanst\u00e8re \u00bb s’est d\u00e9ploy\u00e9. \u00c0 la succession des dur\u00e9es des taches du calendrier du travail, c’est la simultan\u00e9it\u00e9 des puissances de la vie qui impose son rythme. Ce trait\u00e9 propose d’activer l’exp\u00e9rience des \u0153uvres dans leur milieu en proposant une \u00e9tude arch\u00e9ologique qui les situe chacune dans leur contexte culturel plus large. Sur place, la partition, faite de notices, permet de reconstituer mentalement certaines \u0153uvres maintenant disparues ; ou \u00e0 distance, de reconstituer enti\u00e8rement le \u00ab Projet Phalanst\u00e8re \u00bb.<\/p>\n

La port\u00e9e politique du \u00ab Projet Phalanst\u00e8re \u00bb appara\u00eet alors dans les formules agrammaticales \u00e9nonc\u00e9es par les \u0153uvres et dans la r\u00e9sistance active qu’elles manifestent contre un pouvoir normatif qui conc\u00e8de les jeux de mots mais qui continue d’imposer l’exercice disciplin\u00e9 d’une administration de l’art.<\/p>\n

Contributions de Pierre Bal-Blanc, \u00c9mile Ouroumov, Francis Bentolila, Tiphanie Dragaut-Lupescu, Julien Duc-Maug\u00e9, Delphine Goutes, Pierre Simon, Steeve Beckouet, Annie Vigier & Franck Apertet (les gens d’Uterpan).<\/p>\n","protected":false},"excerpt":{"rendered":"

\n

Auteur: Pierre Bal-Blanc
\nEditeur: JSternberg Press avec le CAC Br\u00e9tigny et Work Method, Paris (2018)<\/p>\n

Broch\u00e9: 268 pages
\nLangue: Fran\u00e7ais\/Anglais
\nISBN13: 978-3-95679-319-6<\/p>\n<\/div>\n

\n
\n
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