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Unbuttoned Sleeves

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The Senses in Performance

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Robyn Orlin: fantaisiste rebelle

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Rising Star: Dandyism, Gender, and Performance in the Fin de Siècle

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Reworking the Ballet: Counter Narratives and Alternative Bodies

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Contact Quarterly/Volume 22 #2

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Contact Quarterly/Volume 32#2

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Reading Dancing: Bodies and Subject in Contemporary American Dance

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Converging Movements: Modern Dance and Jewish Culture at the 92nd Street Y

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Barton Mumaw, Dancer: From Denishaw to Jacob’s Pillow and Beyond

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Body and Earth: An Experiential Guide

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In aller Freiheit

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Les Tombeaux de Josef Nadj

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Merce Cunningham: The Modernizing of Modern Dance

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Kunstvermittlung 2

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Gegenwelten – Zwischen Differenz und Reflexion

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Documenta 12 Education II – Between Critical Practice and Visitor Services

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Action in Perception

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Merce Cunningham Dance Company: Split Sides

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Contact Quarterly/Volume 32#1

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The Scar of Visibility: Medical Performances and Contemporary Art

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Contact Quarterly/Volume 33 #1

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Performance: Positionen zur zeitgenössischen szenischen Kunst

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Klang zu Gang – Gedanken zur Musik in heutigen Theaterformen

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Contact Quarterly/Volume 35 #1

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Die politische Differenz

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Cultural Studies

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Understanding Disability Studies and Performance Studies

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Valentine

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Marina Abramovi?

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Are we here yet?

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Contact Quarterly/Volume 34 #1

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rubberbodies – a trajectory of an artist collective in Malta

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Modern Gestures – Abraham Walkowitz Draws Isadora Duncan Dancing

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Social Works – Performing Art, Supporting Publics

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The Citizen Audience – Crowds, Publics, and Individuals

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Everynight Life: Culture and Dance in Latin/o America

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Contact Quarterly/Volume 35 #2 – chapbook 1

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DanceLab Zeitgenössischer Tanz und Neue Technologien

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The Body and Everyday Life

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