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Videodanza: Creación Híbrida

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Upside Down – petit small

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Upside Down – horizontal

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Upside Down – en haut up

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Upside Down – devant front

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Upside Down – dehors outside

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Upside Down – autour around

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Contact Quarterly/Volume 24 #2

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Contact Quarterly/Volume 26 # 2

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ORGANIC SPACE illustré

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ORGANIC SPACE version blanche à illustrer

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Memoria Histórica de la Videodanza

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El cuerpo en videodanza

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Contact Quarterly/Volume 28 # 1

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Het puntje van de tong / Le bout de la langue / The Tip of the Tongue

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Dagen zonder data / Days without dates

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medEia

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Ricky and Ronny and Hundred Stars

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Contact Quarterly/Volume 29 #1

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Le Relèvement de l’Occident

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Belgique

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Critique d’art n°51 – automne/hiver 2018

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Critique d’art n°50 – printemps/été 2018

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Contact Quarterly/Volume 30 #2

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Contact Quarterly/Volume 43 #1

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Contact Quarterly/Volume 43 #2

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BASIC SPACE, le livre jeu (livre illustré)

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Theatercombinat: anatomie sade/wittgenstein

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Gender goes life – Die Lebenswissenschaften als Herausforderung für die Gender Studies

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Choreografische Praxis – Vermittlung in Tanzkunst und Kultureller Bildung

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CANCER CANCER CANCER CANCER CANCER

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Rain, a documentary

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Contact Improvisation at 36

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Words for the Future – Practical Vision

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The Magazine

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The Future of the New – Artistic Innovation in Times of Social Acceleration

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Tamam Shud – An Artist’s Novel

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Stolen Life

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Stella Geppert – Scores and Sculpture

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Spacescapes – Dance & Drawing since 1962

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Sol LeWitt – Structures, 1965-2006

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Re: – Towards a minor history of exhibitions and performances

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Rethinking Mythogeography, in Northfield Minnesota

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Researching War – Feminist Methods, Ethics and Politics

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Ralph Lemon

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Questioning Contact Improvisation

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Poetics of Dance – Body, Image, and Space in the Historical Avant-Gardes

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Performing Image

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New York Studio Conversations (Part II)

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Moving with the times

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Marina Abramovic – The Cleaner

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Live Art in L.A

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Judson Now

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Judson Dance Theater – The Work Is Never Done

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It moves, it speaks – Talks at Notafe

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I get lost – Danspace Project’s Platform 2010

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I am Four Quartets

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Homage to Kazuo Ohno at 100

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Hear my voice

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Happenings and Other Acts

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French Moves – The Cultural Politics of le hip hop

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Flowers Cracking Concrete – Eiko & Koma’s Asian/American Choreographies

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Ecstasy In Art, Music and Dance – Ekstase In Kunst, Musik und Tanz

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Dirty Room

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Dancing Deeper Still – The Practice of Contact Improvisation

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Dancers as Diplomats – American Choreography in Cultural Exchange

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Dance and Organisation – Integrating Dance Theory and Methods into the Study of Management

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Crossing Lines – Contact Areas of Art

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Contemporary Circus

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Contact Quarterly/Volume 44 #1

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Choreographing Discourses – A Mark Franko Reader

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Choreographies of 21st Century Wars

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A Very Wilde Story; The True Story of the Marriage of Ida and Henry Wilde

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Animals

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Ally

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Yano: un artiste japonais à Paris

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Voyage – Recherches sur l’espace chorégraphique

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Théâtre du Mouvement

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Rêveries du promeneur solitaire

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Récif – Un artiste japonais à Paris

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Organic Space – expérimenter le paysage à l’école

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L’Homme de pluie

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Les temps modernes – Art, temps, politique

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La Véritable Joséphine Baker

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Daniel Larrieu

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Dits n° 22 – Musées pour cible

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Critique d’art n°53 – Fall/Winter 2019

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Confessions d’un compositeur

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Biennale(e) de danse du Val-de-Marne 1979-2019

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Stars et solistes du musical hollywoodien

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Robert Smithson – Mémoire et entropie

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Repères, cahier de danse n°41

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Repères, cahier de danse n°43

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Quel sens a la danse?

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Avignon 1968 et le Living Theatre

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Mémoires et histoires en danse

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Inter, art actuel n° 129 – Mai 68 – Cinquante ans plus tard

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Faire un carton

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Anita

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Reseeding the library, gleaning readership

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RE-Perspective Deborah Hay Works from 1968 to the Present

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Une année dès lundi

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The Selected Letters of John Cage

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Repères, cahier de danse n°23 – Merce Cunningham et la danse en France aujourd’hui

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Other People Think

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Les disques gâchent le paysage

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Merce Cunningham Collection – Volume 1

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Encyclopédie pratique Portraits d’Aubervilliers

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Charles Atlas

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An Autobiographical Statement

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