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For a Pragmatics of the Useless

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Back to the Dance Itself – Phenomenologies of the Body in Performance

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Walking from Scores

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Carnet de salles – Écrits pour la danse

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Exploring Body-Mind Centering – An Anthology of Experience and Method

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Remembering a Dance – Part of Some Sextets 1965/2019

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Holistic dance Cardset – accompanying text

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On Site – Methods for Site-Specific Performance Creation

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Symmetry, Alibis & Intuition: An Inventory of Choreographic Choices

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Holistic dance Cardset – Begleit – Texte

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Movement Notation

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Apprendre à voir – Le point de vue du vivant

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Black Chapel – Theaster gates

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Dance first think later – Le corps pensant entre danse et arts visuels Vol.1

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La voie négative

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Une minute de danse par jour – 2015-2025 – Dix ans d’une œuvre pour notre temps

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Chorégraphies – Dessiner, danser (XVIIe-XXIe siècle)

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Come home Charley Patton

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Lives Shaping Works Making Life

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Privilege: An Yvonne Rainer Filmography

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Le Nemesiache – Reclaiming Mythological Rituals

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La creación híbrida en videodanza – Libro 05 “Pedagogía en videodanza”

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La part de l’œil nr. 24 – Ce qui fait danse : de la plasticité à la performance

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The Body and Everyday Life

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Reworking the Ballet: Counter Narratives and Alternative Bodies

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Attending to Movement – Somatic Perspectives on Living in this World

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Nature Performed: Environment, Culture and Performance

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British Dance: Black Routes

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Caught Falling

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Black and Blur

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Flowers Cracking Concrete – Eiko & Koma’s Asian/American Choreographies

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Trisha Brown – Choreography as Visual Art

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Gómez-Peña Unplugged – Texts on Live Art, Social Practice and Imaginary Activism (2008–2020)

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Being Alive – Essays on Movement, Knowledge and Description

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Le bien être

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The dream of the audience – Danspace Project’s Platform 2021-2022

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Cabarets of death – Dance, death and dining in early twentieth century Paris

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Histoire collective de la danse contemporaine en France

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Feminist Art Activisms and Artivisms

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Les danses de la culture hip-hop

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Les Deux Corps de la danse-Imaginaires et représentations à l’âge romantique

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Yvonne Rainer – Moving And Being Moved

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La partition chorégraphique: outil de transmission, outil d’exploration

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Between Zones/Zwischenzonen

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Anna Halprin, Dancing Life / Danser la vie

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Artificial Hells: Participatory Art and the Politics of Spectatorship

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The Citizen Audience – Crowds, Publics, and Individuals

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Le désœuvrement chorégraphique – Étude sur la notion d’Œuvre en danse

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Lost & Found: Dance, New York, HIV/AIDS, Then and Now

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Gestualités/Textualités en danse contemporaine

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Relâche – Dernier coup d’éclat des Ballets suédois

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Dancers as Diplomats – American Choreography in Cultural Exchange

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Performing Image

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Cinquante ans de révolution chorégraphique du Ballet-Théâtre contemporain au CCN – Ballet de Lorraine 1968-2018

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Couplets – Travels in Speculative Pragmatism

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Noa & Snow

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Mon corps a-t-il un sexe ? – Sur le genre, dialogues entre biologies et sciences sociales

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Écologie du corps instagrammable – regards sur les pratiques corporelles et scéniques contemporaines

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The Art of Performance – 25 Conversations

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Mycoscores / Choreospores

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A history of butô

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Lieux et milieux des arts vivants – Performer l’institution

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Queer Exhibition Histories

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Worlding Ecologies – Art, Science and Activism Towards Climate Justice

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Beautiful Madness – Art Writing as Art Curating

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Utterances From The Chorus

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Composer en danse – Un vocabulaire des opérations et des pratiques

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Danseuses, 50 héroïnes

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Dancing Archives Archive Dances

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Tanz Film

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Die Befreiung des Körpers – Erinnerungen

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Topless Cellist – The Improbable Life of Charlotte Moorman

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Moving without a Body – Digital Philosophy and Choreographic Thoughts

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Reading Dancing: Bodies and Subject in Contemporary American Dance

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The Male Dancer: Bodies, Spectacle and Sexuality

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Move. Choreographing You – Art and Dance Since the 1960s

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Partition(s)–Objets et concepts des pratiques scéniques (20e et 21e siècle)

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Contemporary Circus

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Exercises for Rebel Artists – Radical Performance Pedagogy

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Nouvelle Histoire de la danse en Occident – De la Préhistoire à nos jours

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Engaging Bodies

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Imagining for Real – Essays on Creation, Attention and Correspondence

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The Artist Job Description, for the Employment of the Artist, as an Artist, Inside the Art Institution

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The Perception of the Environment – Essays on Livelihood, Dwelling and Skill

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Entre pratiques de corps et gestes créatifs – Les chœurs de mouvements Laban (Allemagne, 1923-1936)

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Let’s Become Fungal! – Mycelium Teachings and the Arts

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Penser avec Whitehead – Une libre et sauvage création de concepts

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Corpo do Mundo

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Denkfiguren – Performatives zwischen Bewegen, Schreiben und Erfinden : Für Claudia Jeschke

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Social Works – Performing Art, Supporting Publics

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Action in Perception

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Yes? No! Maybe Seductive Ambiguity in Dance

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A Queer History of the Ballet

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Transmission in Motion – The Technologizing of Dance

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Performed Ethnography and Communication – Improvisation and Embodied Experience

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Choreography, Visual Art and Experimental Composition 1950s–1970s

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Going Out – Walking, Listening, Soundmaking

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Another Ghost Party

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Geographies of Us – Ecosomatic Essays and Practice Pages

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The Aging Body in Dance – A cross-cultural perspective

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P.A.R.T.S: 20 years – 50 portraits

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Dictionnaire fou du corps

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Tanzmedizin – Anatomische Grundlagen und gesunde Bewegung

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Körper als Archiv in Bewegung – Choreografie als historiografische Praxis

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Choreografische Praxis – Vermittlung in Tanzkunst und Kultureller Bildung

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Violette Verdy

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Danses Tracées – Dessins et Notations des Chorégraphes

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Are we here yet?

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Exhausting Dance: Performance and the Politics of Movement

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Continuous Replay – The Photographs of Arnie Zane

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Mourning Sex – Performing Public Memories

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Archaeologies of Presence – Art, Performance and the Persistence of Being

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L’éveil des modernités – une histoire culturelle de la danse (1870-1945)

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Repères, cahier de danse : étui 5 – n°31 à 37

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Kazuo Ohno in conversastion at 86

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Performed Imaginaries

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Danser, résister

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Daniel Larrieu

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Dance, Modernism, and Modernity

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Film’s Ghosts – Tatsumi Hijikata’s Butoh and the Transmutation of 1960s Japan

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