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La creación híbrida en videodanza – LIBRO 02 “Videodanza: Creación Híbrida”

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Upside Down – petit small

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ORGANIC SPACE illustré

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La creación híbrida en videodanza – LIBRO 01 “Memoria Histórica de la Videodanza”

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La creación híbrida en videodanza – Libro 03 “El cuerpo en videodanza”

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Het puntje van de tong / Le bout de la langue / The Tip of the Tongue

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Dagen zonder data / Days without dates

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medEia

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Le Relèvement de l’Occident

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Belgique

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Critique d’art n°51 – automne/hiver 2018

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BASIC SPACE, le livre jeu (livre illustré)

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Theatercombinat: anatomie sade/wittgenstein

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Gender goes life – Die Lebenswissenschaften als Herausforderung für die Gender Studies

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Choreografische Praxis – Vermittlung in Tanzkunst und Kultureller Bildung

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Rain, a documentary

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Contact Improvisation at 36

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Words for the Future – Practical Vision

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The Magazine

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Stolen Life

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Spacescapes – Dance & Drawing since 1962

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Sol LeWitt – Structures, 1965-2006

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Re: – Towards a minor history of exhibitions and performances

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Rethinking Mythogeography, in Northfield Minnesota

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Researching War – Feminist Methods, Ethics and Politics

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Ralph Lemon

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Questioning Contact Improvisation

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Poetics of Dance – Body, Image, and Space in the Historical Avant-Gardes

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Performing Image

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New York Studio Conversations (Part II)

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Moving with the times

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Marina Abramovic – The Cleaner

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Live Art in L.A

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Judson Now

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Judson Dance Theater – The Work Is Never Done

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It moves, it speaks – Talks at Notafe

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I get lost – Danspace Project’s Platform 2010

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I am Four Quartets

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Homage to Kazuo Ohno at 100

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Hear my voice

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Happenings and Other Acts

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French Moves – The Cultural Politics of le hip hop

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Flowers Cracking Concrete – Eiko & Koma’s Asian/American Choreographies

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Ecstasy In Art, Music and Dance – Ekstase In Kunst, Musik und Tanz

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Dirty Room

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Dancing Deeper Still – The Practice of Contact Improvisation

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Dancers as Diplomats – American Choreography in Cultural Exchange

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Dance and Organisation – Integrating Dance Theory and Methods into the Study of Management

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Crossing Lines – Contact Areas of Art

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Contemporary Circus

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Choreographing Discourses – A Mark Franko Reader

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