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Contact Quarterly/Volume 33 #1

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Performance: Positionen zur zeitgenössischen szenischen Kunst

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Klang zu Gang – Gedanken zur Musik in heutigen Theaterformen

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Die politische Differenz

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Cultural Studies

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Understanding Disability Studies and Performance Studies

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Valentine

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Marina Abramovi?

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Are we here yet?

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Contact Quarterly/Volume 34 #1

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rubberbodies – a trajectory of an artist collective in Malta

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Modern Gestures – Abraham Walkowitz Draws Isadora Duncan Dancing

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Social Works – Performing Art, Supporting Publics

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The Citizen Audience – Crowds, Publics, and Individuals

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Everynight Life: Culture and Dance in Latin/o America

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Contact Quarterly/Volume 35 #2 – chapbook 1

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DanceLab Zeitgenössischer Tanz und Neue Technologien

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The Body and Everyday Life

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Figures de l’attention – Cinq essais sur la spatialité en danse

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Concordan(s)e 2

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Bewegungen zwischen Hören und Sehen – Denkbewegungen über Bewegungskünste

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Alternative Histories – New York Art Spaces, 1960-2010

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IDEA in ACTION

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The Connected Body?

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Bone, Breath, and Gesture – Practices of Embodiment

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Contact Quarterly/Volume 36 #1

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Merce Cunningham Dance Company: Robert Rauschenberg Collaborations

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Rudolf Laban

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Spring Rolle

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Je suis sur le sol de la chambre

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Christophe

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Tanz Film

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Dancing Archives Archive Dances

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Moving without a Body – Digital Philosophy and Choreographic Thoughts

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Gob Squad and the Impossible Attempt To Make Sense of It All

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Merce Cunningham Dance Company: Park Avenue Armory Event

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Contact Quarterly – chapbook 3 summer/fall 2012 vol. 37 no. 2

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Contact Quarterly – chapbook 2 summer/fall 2011 vol. 36 no. 2

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Christian Rizzo: Quelque chose suit son cours

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