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Artist, Audeience, Accomplice
27,00
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En forêt
15,00
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Anatomie du Tomason
26,00
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Post-performance future method/e
16,00
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Practical Performance Magic – Recipes and spills
22,00
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Appendix #4 – Translation / Appendice #4 – Traduction
15,00
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The Art of Performance – 25 Conversations
32,00
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Another Ghost Party
34,00
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Gleaners and the Worms, or: Bookworms and the Worm-book
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Appendix #1 – The gesture of writing
15,00
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Encounters – Embodied Practices
21,00
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Démosthène Agrafiotis – Prolégomènes à une histoire de la performance en Grèce
24,00
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Corps endormis corps affranchis
20,00
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Je vomis du nez, le sang bleu de la nuit
12,00
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Yayoi Kusama – The Dutch years 1960–70
39,90
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II Magazine Issue #0 – performance and publishing
35,00
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Big Tail Elephant – Build and Resist
35,00
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Remembering a Dance – Part of Some Sextets 1965/2019
30,00
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Hélio Oiticica – Parangolé – Between Revolt and Poetry
27,00
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Méandre(s) – Une expérience de fabrication collective spontanée
20,00
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Gerard & Kelly – Ruins
27,00
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A Body in Fukushima
35,00
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CritiQueer la danse – Réceptions performées & critiques affectées
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How to Die – Inopiné
28,00
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Les grands entretiens : La performance 2 – Dépassements
10,00
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Les grands entretiens : La performance 1 – Le corps exposé
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Put oneself in the place of the other
16,00
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Un ennui radical – Yvonne Rainer, danse et cinéma
26,00
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591 – Spécial performance
18,00
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Noa & Snow
32,00
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Holes Dug, Rocks Thrown – Line Skywalker Karlström’s Works Through the Prism of Queer and Feminist Art Practices
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I am a Ghost in My Own House
29,00
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The Soft Layer
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Performing Remains – Art and War in Times of Theatrical Reenactment
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Impasse
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L’architecture selon Gordon Matta-Clark
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Entretien avec Esther Ferrer
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Reading in Performance, Lire en Spectacle – The solitude or reading merged with the collective nature of an audience
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False hours
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Black Hyperbox
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News Animations
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Esther Ferrer. Todas las variaciones son válidas, incluida esta
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Inter n° 137 – Pratiques du silence, du son et de l’oralité
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Where do you draw the line between art and politics
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“If It’s For The People, It Needs To Be Beautiful,” She Said
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La Pocha Nostra – A Handbook for the Rebel Artist in a Post-Democratic Society
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Performing Mourning – Laments in Contemporary Art
25,85
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Gómez-Peña Unplugged – Texts on Live Art, Social Practice and Imaginary Activism (2008–2020)
31,00
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Uncollected Texts
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Body and Performance
18,00
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Paperboard. La conférence performance : artistes et cas d’étude
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Perspective 2020-2 Danser
25,00
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Yoko Ono – Liberté Conquérante. Growing Freedom.
25,00
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¡Presente! – The Politics of Presence
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The Grand Union – Accidental Anarchists of Downtown Dance, 1970-1976
28,00
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Black Performance Theory
29,00
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Papier incomestible
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Performance Works
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Robert Morris – The Perceiving Body
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Traces in Sight
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Margret Wibmer – Relay
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Donna Huanca – Piedra Quemada
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DISCORDO ERGO SUM – Renate Bertlmann
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Unpacking Performativity – An exciting two-year research journey in dance
29,00
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Parachute – The Anthology (vol. 2) – Performance & Performativity
20,00
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William Forsythe – The Fact of Matter
48,00
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CANCER CANCER CANCER CANCER CANCER
20,00
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Words for the Future – Eco-Swaraj
7,50
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The Politics of Interweaving Performance Cultures – Beyond Postcolonialism
40,00
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Spacescapes – Dance & Drawing since 1962
20,00
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Singularities – Dance in the Age of Performance
41,00
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JERK – A travers leurs larmes
29,00
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JERK – Through their tears
29,00
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RTRSRCH Vol. 2 No. 2 – Notation
8,00
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Performing Image
32,00
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Performed Ethnography and Communication – Improvisation and Embodied Experience
34,00
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Perception Frames – choreographic scores for practice and performance
17,00
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Moving (Across) Borders – Performing Translation, Intervention, Participation
35,00
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Marina Abramovic – The Cleaner
48,00
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Live Art in L.A
35,00
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Is the Living Body the Last Thing Left Alive? The New Performance Turn, Its Histories and Its Institutions
39,00
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Happenings and Other Acts
36,00
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Exercises for Rebel Artists – Radical Performance Pedagogy
31,00
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Crossing Lines – Contact Areas of Art
24,90
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Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance
54,00
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Ex-corpo
18,00
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Danser, résister
35,00
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Critique d’art n°52 – printemps/été 2019
16,00
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Christophe
4,00
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Art performance, manœuvre, coefficients de visibilité
20,00
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Relâche – Dernier coup d’éclat des Ballets suédois
32,00
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Pratiques Performatives / Corps Critiques #1-10 (2007 – 2016)
28,00
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Partition(s)–Objets et concepts des pratiques scéniques (20e et 21e siècle)
33,00
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Paroles en Corps – danser au-delà des apparences
25,00
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Happenings & Events – Tulane Drama Review – vol. 10, nº 2, Hiver 1965
26,00
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Meredith Monk
10,00
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A Hand’s Turn
23,00
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De(s)faire – #1 à #5
14,00
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The Concrete Body – Yvonne Rainer, Carolee Schneemann, Vito Acconci
58,00
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Performed Imaginaries
35,00
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Performance Studies: An Introduction
46,00
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material / rearranged / to / be
14,00
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How to Collaborate? – Questioning Togetherness in the Performing Arts
18,00
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Sarah Michelson
29,00
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Anita Berber – Studie
10,00
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Critique d’art n°47 – automne/hiver 2016
16,00
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Superamas – BIG 3 EPISODES (art discourse)
28,00
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Walk, Hands, Eyes (a city)
20,00
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La performance, encore
25,00
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Being Watched: Yvonne Rainer and the 1960s
23,00
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Artist at Work, Proximity of Art and Capitalism
21,00
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Archaeologies of Presence – Art, Performance and the Persistence of Being
35,00
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39 Microlectures – in proximity of performance
30,00
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WILHELM GROENER – aber auch 2013-2015
8,95
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Poetik des zeitgenössischen Tanzes
29,80
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Concordan(s)e 4
10,00
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The Time We Share – Reflecting on and through Performing Arts
45,00
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Le temps que nous partageons – Réflexions à travers le spectacle vivant
45,00
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Recréer / scripter
29,00
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Between Zones/Zwischenzonen
32,00
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