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“Appendix #4 – Translation / Appendice #4 – Traduction” has been added to your cart.
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RIRE LAUGH LACHEN
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News Animations
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ABECEDARIUM BESTIARIUM – Portraits of affinities in animal metaphors
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The Soft Layer
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Body and Performance
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Robert Morris – The Perceiving Body
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William Forsythe – The Fact of Matter
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Perception Frames – choreographic scores for practice and performance
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Partition(s)–Objets et concepts des pratiques scéniques (20e et 21e siècle)
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A Widening Field: journeys in body and imagination
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Manuel en Mouvement – Nouvelles de Danse 44/45
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On the Edge / Créateurs de l’Imprévu – Nouvelles de Danse 32/33
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591 – Spécial performance
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L’architecture selon Gordon Matta-Clark
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Reading in Performance, Lire en Spectacle – The solitude or reading merged with the collective nature of an audience
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Performing Mourning – Laments in Contemporary Art
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Yoko Ono – Liberté Conquérante. Growing Freedom.
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The Grand Union – Accidental Anarchists of Downtown Dance, 1970-1976
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Papier incomestible
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Performance Works
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Meredith Monk
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Noa & Snow
32,00
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Where do you draw the line between art and politics
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Paperboard. La conférence performance : artistes et cas d’étude
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¡Presente! – The Politics of Presence
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Black Performance Theory
29,00
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A Hand’s Turn
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39 Microlectures – in proximity of performance
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Les grands entretiens : La performance 1 – Le corps exposé
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Entretien avec Esther Ferrer
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Inter n° 137 – Pratiques du silence, du son et de l’oralité
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Gómez-Peña Unplugged – Texts on Live Art, Social Practice and Imaginary Activism (2008–2020)
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Performed Ethnography and Communication – Improvisation and Embodied Experience
31,00
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Is the Living Body the Last Thing Left Alive? The New Performance Turn, Its Histories and Its Institutions
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Exercises for Rebel Artists – Radical Performance Pedagogy
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Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance
54,00
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De(s)faire – #1 à #5
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material / rearranged / to / be
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what remains and is to come – a document
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On va où, là?
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Exhausting Dance: Performance and the Politics of Movement
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Assign & Arrange – Methodologies of Presentation in Art and Dance
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The Art of Performance – 25 Conversations
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CritiQueer la danse – Réceptions performées & critiques affectées
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How to Die – Inopiné
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Les grands entretiens : La performance 2 – Dépassements
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Put oneself in the place of the other
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Un ennui radical – Yvonne Rainer, danse et cinéma
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I am a Ghost in My Own House
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Performing Remains – Art and War in Times of Theatrical Reenactment
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Impasse
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“If It’s For The People, It Needs To Be Beautiful,” She Said
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La Pocha Nostra – A Handbook for the Rebel Artist in a Post-Democratic Society
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Uncollected Texts
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Traces in Sight
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DISCORDO ERGO SUM – Renate Bertlmann
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Unpacking Performativity – An exciting two-year research journey in dance
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The Politics of Interweaving Performance Cultures – Beyond Postcolonialism
40,00
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Singularities – Dance in the Age of Performance
41,00
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RTRSRCH Vol. 2 No. 2 – Notation
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Moving (Across) Borders – Performing Translation, Intervention, Participation
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Ex-corpo
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Art performance, manœuvre, coefficients de visibilité
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Relâche – Dernier coup d’éclat des Ballets suédois
32,00
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Pratiques Performatives / Corps Critiques #1-10 (2007 – 2016)
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The Concrete Body – Yvonne Rainer, Carolee Schneemann, Vito Acconci
58,00
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How to Collaborate? – Questioning Togetherness in the Performing Arts
18,00
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Walk, Hands, Eyes (a city)
20,00
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Being Watched: Yvonne Rainer and the 1960s
23,00
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Artist at Work, Proximity of Art and Capitalism
21,00
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Archaeologies of Presence – Art, Performance and the Persistence of Being
35,00
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Charlemagne Palestine – Gesammttkkunnstt MeshuggahhLaandttttt
24,00
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La Ribot
19,00
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Simone Forti – An Evening of Dance Constructions
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Artificial Hells: Participatory Art and the Politics of Spectatorship
32,00
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Des Corps compétents (Sportifs, Artistes, Burlesques)
14,00
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Vanelephant
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Interviewer la performance
25,00
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Recréer / scripter
29,00
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Le temps que nous partageons – Réflexions à travers le spectacle vivant
45,00
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