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Merce Cunningham Dance Company: Split Sides
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Action in Perception
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Simone Forti – An Evening of Dance Constructions
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The Transformative Power of Performance: A new aesthetics
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Body and Earth: An Experiential Guide
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Barton Mumaw, Dancer: From Denishaw to Jacob’s Pillow and Beyond
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Writing Dancing in the Age of Postmodernism
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Contact Quarterly/Volume 32#2
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Contact Quarterly/Volume 22 #2
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Contact Quarterly/Volume 16 #1
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A Kinesthetic Legacy: The Life and Works of Barbara Clark
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Merce Cunningham: The Modernizing of Modern Dance
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ROBERT WHITMAN: Performance from the 1960s
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TRISHA BROWN: 1966-1979
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Variations VII by John Cage
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Site-Specific Art: Performance, Place and Documentation
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The Male Dancer: Bodies, Spectacle and Sexuality
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Wisdom of the Body Moving: An Introduction to Body-Mind Centering®
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Through the Back – Situating Vision between Moving Bodies
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Sacré 101 – An Anthology on “The Rite of Spring”
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Embodied Lives
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what remains and is to come – a document
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1961-2011: 50 Jahre Tanzausbildung
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Anna Halprin, Dancing Life / Danser la vie
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Tanz & Archiv: Forschungsreisen – Heft 5 Mobile Notate
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Yes? No! Maybe Seductive Ambiguity in Dance
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Danse An Anthology
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Skizzen des verschwindens – theatrale raumproduktionen
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Tanz & Archiv: Forschungsreisen – Heft 6 Doing Memory
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La Ribot
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Biographical Landscapes of New Zagreb
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Struggling bodies in capitalist societies (democracies)
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Attending to Movement – Somatic Perspectives on Living in this World
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Charlemagne Palestine – Gesammttkkunnstt MeshuggahhLaandttttt
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Passion – Endstation Kinshasa
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Simone Forti- Thinking with the body
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Leap Before You Look – Black Mountain College 1933–1957
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Over the Channel – Cross-Channel artists and public spaces – Artistes et espaces publics transmanche
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A Widening Field: journeys in body and imagination
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Move. Choreographing You – Art and Dance Since the 1960s
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