Critique d’art n°53 – Fall/Winter 2019

Critique d’art n°53 – Fall/Winter 2019

16,00

Authors: Mathieu Copeland
Publisher: Archives de la critique d’art, Université de Rennes (2019)

Paperback: 220 pages
Language: French/English
ISSN: 1246-8258

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Exhibitions are accompanied by an ensemble that presents them, represents them, and thus makes them present. This set made up of connected forms, paratexts—to borrow Gérard Genette’s term—and  “exhibition prosthetics”, in Joseph Grigely’s provocative turn of phrase, associates the names of the artists and the curator(s), the exhibition’s title, the texts and essays, the notices, the audio guide, all augmented realities, printed media, and, needless to add, the catalogues. Joseph Grigley questions the reality of the exhibition thus: “Where does an exhibition begin & end? Is an exhibition just about the materialization of specific works of art, or is it also — and if so, in what ways— about the various conventions that go into the making of exhibitions, which include press releases, announcement cards, checklists, catalogues, and digital-based media?” He thus prefers talking in terms of exhibition “prosthetics” “to describe an array of these conventions, particularly (but not exclusively) in relation to exhibition practices.” […]

Articles

Nouvelles de l’outre-terre : récits depuis les profondeurs du monde
News From Beyond The Earth: Tales From The Depths of The World
de/byBénédicte Ramade
Friction(s) dans la représentation : comment penser les artistes face aux événements ?
Friction(s) in Representation: How Are We to Think about Artists in the Face of Events
de/by Paula Barreiro López
Mutation du paysage artistique africain à la Biennale de Venise
The Landscape of African Art: Transformations at the Venice Biennale
de/by Dagara Dakin
Noir sur blanc : décoloniser le regard
Black on White: Decolonising the Gaze
de/by Jérôme Duwa
Le Livre peut-il encore tuer l’édifice ?
Can The Book Still Kill The Building?
de/by Thibaut de Ruyter
Encyclopédie de silences : préhistoire et modernité
Encyclopaedia of Silences: Prehistory and Modernity
de/by Riccardo Venturi

Portrait d’auteur

Beatriz Colomina
Valéry Didelon

Portrait d’artiste

Santu Mofokeng
Katja Gentric

Traduction

Institutions artistiques caribéennes, critique et sphère publique
Traduction extraite de : Beyond Representation in Contemporary Caribbean Art: Space, Politics, and the Public Sphere
Phoebe Clarke
Introduit par / Introduced by : Sylvie Mokhtari

Essai

Plasticien du bled. De Sadek Rahim au hirak, l’art contemporain algérien en quête d’autonomie
Visual Artists from the Bled. From Sadek Rahim to the Hirak, Contemporary Algerian Art’s Quest for Autonomy
Florian Gaité
Introduit par/introduced by: Elitza Dulguerova

L’Histoire revisitée

Situation de l’Art brut
The Art Brut Situation
de/by Marc Décimo
Dubuffet, l’Art brut et le « primitivisme »
Dubuffet, Art Brut and « Primitivism »
de/by Kent Mitchell Minturn

Archives

« European-art.net », relais international et communauté solidaire
“European-art.net”, an International Staging-post and a United Community
de/by Jens Emil Sennewald

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